Hello Scribe fans,
I originally had a different post planned but I came across this post bestselling author Jennifer Ashley on how to become a bestselling author and I thought that was a lot more valuable than me rambling about the stupid snow storm.
How to Become a Bestselling Fiction Author
By Jennifer Ashley
Workshop, Glendale Chocolate Affair, Feb 2013
Tips to increasing the odds of sales, exposure, and bestsellerdom, regardless of whether you’re trad pubbed or self-pubbed
What this worshop is NOT about:
Being a one-time blockbuster / flavor of the month
Social networking yourself until everyone hates you, including your pets
Writing “what sells”Instead: How to build a successful career–writing books for a living
1. What do I mean by Bestseller?
USA Today (approx 10,000 sales in a week makes this list)
Amazon Top 100
# 90-100 = about 300 books a day (of one title)
#50 = about 700-800 books a day
#40 and down, thousands of books per day
Not small lists:
Fiction>Mystery>Ebooks>Mysteries & Thrillers>Historical>Regency>1812>Left-handed Spinsters> “Ooh, I’m number one!”
(These lists can get your book exposure, but the actual sales are small)
National bestsellers happen with a burst of sales at one time
A book can sell just as well over time and never hit a bestseller list
Bestsellerdom Isn’t the Whole Story!
Five Steps to becoming a Print Bestseller
Package (cover, blurb)
Print Run / Placement in Stores
Pre-orders and Re-orders
Word of Mouth
Five steps to self-pub E-Bestseller
Package (cover, blurb, price)
Availability (top e-vendors)
Alerting the masses (newsletters; FB)
Word of Mouth
What Does the Author have the most control over?
2. Write the Very Best Book You Can
A. What Makes a Great Book?
(Regardless of Format; Packaging; Marketing)
Examples: Sherlock Holmes; Scarlett O’Hara; Jackal in Day of the Jackal
People who stick in our minds
We want to know all about them
Don’t necessarily like them
If unlikable character is focus, need sympathetic one to connect to reader (Dr. Watson, Melanie and others, French policeman in Day of the Jackal)
Don’t pull back from emotional encounters
Be in the moment—immediacy more interesting than the big picture
Example: Battle of Waterloo from POV of an infantry captain of a square, not the bird’s eye view of every battle movement
Never let down the intensity. Rest, but not for long
(example: Action TV shows like Burn Notice—few lines of personal / emotional plot thread; pause a beat or two; someone breaks in with action plot) Keeping it intense:
When revising, cut deadwood. If the back of your mind is saying “Blah, blah, blah,” the paragraph / page / scene needs to be cut!
Put the good stuff up front
Bourne Identity—Jason Bourne drowning
Marie Force romance—Man steps off curb, woman runs into him on bicycle, she’s hurt and might lose her job, has kid to take care of (we know all that right away)
Outlander—“People disappear every day”
Entire first scene / chapter should be the hook
No throwaway lines!
Every piece of dialog moves the story forward or deepens characterization (ideally, both)
Find tightly written books and TV shows / movies and study their technique
(Example: Buffy the Vampire Slayer–pick an episode and listen carefully to every line of dialog)
Satisfying elements for your target audience:
Thrillers: Edge of seat, gripping scenes, constantly asking “what’s going to happen?”
Romance: H/h together, tension between them never stopping until end (whether it’s between them personally or outside problems)
Erotic romance: Same as romance, but sexual tension includes more erotic details. Must be believable
Mystery: Who did it? Why? How? (Nero Wolfe and Agatha Christie good at “how did that person drop dead in front of everyone?”) “How” less fashionable these days: Who and Why are more prevalent
Horror: Fear—but believable. Play to a basic fear we all have (what’s in the dark, dying in dreams, monster under the bed, helplessness). Stephen King popular for a reason
Historical novel: Historical detail in POV of a character or characters who takes us through those details
B. Increasing your odds of bestsellerdom, or at least great sales
Hedge your bets:
Some time periods, settings, style of writing, and topics are vastly more popular than others
Realize that setting in a place and time that there is little interest in will lead to smaller sales.
Caveat: Write what you are passionate about instead of trying to fit it into a box. A writer can have a lucrative career writing wonderful books without ever hitting a bestseller list
Trends / vs. Universal Themes
Look beyond the outer trappings of popular novels to find the theme that speaks to the readers
50 Shades and similar books: Outward Perception: “Erotica (esp bondage) Sells!”
Theme: Woman Coming of Age: Woman who is inhibited emotionally for whatever reason finds man who awakens her sexually and emotionally, using sex and emotional challenges to do so.
Twilight: Perception: “Vampire books sell (esp to teens)!”
Theme: Surrendering completely to someone who takes care of you (boyfriend, husband, God), is the way to true serenity and happiness (some of that in 50 Shades as well)
The DaVinci Code: Perception: “Treasure hunt books sell!”
Theme: People will go to any lengths to preserve the status quo of their religious beliefs (any beliefs for that matter).
Gone With the Wind: Perception: “Civil War books sell!”
Theme: Woman will do anything she must to save her symbol of stability and happiness (her home)
Day of the Jackal: “Catch the assassin books sell!”
Theme: Little guy is put in charge and saves the day (Star Wars, Harry Potter, and Lord of the Rings/ the Hobbit, similar theme)
Ben-Hur: “Action / adventure stories set in Biblical times (with chariot races) sell!”
Theme; Revenge versus Forgiveness (Ben-Hur starts out driven by revenge on his ex-best friend; his encounters with Jesus teach him that revenge isn’t enough—forgiveness and love is necessary for a full life)
Outlander: “Time-travel and Scottish books sell!”
Theme: Woman torn between two worlds—where she thinks she belongs (the “right thing to do”) vs. following her heart
Trends die swiftly —> Themes endure
3. Consistency: Schedule; Packaging; Content
In our society, consistency is our best friend
Consistent Quality (don’t put huge effort into one book and blow off the others)
Releases out at a consistent pace (1 per month; 1 every 6 months; 1 per year)
Series vs standalone books (series are more popular, but standalones w/ related style can work)
Deliver series consistently—stick to what series is about
Consistent Packaging (find one cover look for a series and stick to it–same fonts at the very least!)
Give value for money–”cheap” should not mean a throwaway story or book.
Give your very best book, regardless of the book’s price or how much money you think you should make.
Make it about the book, not the money!