Getting to Know You in the Most Shallow Way Possible By Casey Wyatt

Welcome to another Friday! Casey here.

Last week, I shared the first thing I do when I start a new book - create the initial premise.That is only the tip of the iceberg. There is so much more!

All the world's a stageAs I’ve mentioned a few times in the past, I’m a plotter and, in most cases, I spend more time mapping the story then writing it. I do this for numerous reasons (which is a whole other blog post!). One reason is so I have a document that outlines all the basic facts. I call it my pre-work document.

After I jot down the initial premise, the next step is to identify the major characters. Notice I said, identify, not psycho-analyze, speed date, or get too far into their heads or physical appearances. At this stage, I want only the most basic information that is integral to the story.

That’s it. Later in the process, I’ll delve deeper and add more detail, but not right now. For the moment, I just want to know the very basics. Sometimes, I don’t even have  names for all the characters.

This is from The Undead Space Initiative:

Major Characters:

-          Cherry – Vampire, stripper, protagonist

-          Ian McDevitt, love interest

-          Captain Trent O’Connor – another potential love interest

-          Jay (Jayakrishna) – best friend and Thrall (human servant).

-          Antagonist –  Thalia – new Queen of the vampires

The next step is to create a basic sketch of the main characters. In this case, Cherry was the heroine of the story so I focused on her. I only included the most important details of the character for where she is at the time the story starts. Think of it as the launching point for Cherry.

Basic Character Sketch: Cherry is a vampire and a highly valued stripper at Fang Bang.  Her Sire, Jonathan Gilbert, also prizes her for her pure bloodline (Blue Blood). Cherry would have continued to be an entertainer if she hadn’t been considered a conspirator in the murder of the vampire Queen. Her only choice now: run or die (again).

Try to keep the character sketch simple and uncluttered. The details will come later. At the time, this is how I pictured Cherry’s situation in my head.

And that’s all I use at this point in the process. I’ve found going through this exercise in an exact order, keeps me organized and focused. Then I don’t get lost in the weeds early in the plotting process. Plus, it gives me a tangible series of steps to complete while mentally preparing me for the moment I start actually writing the story.

Again, this is only the initial stab at character development and is intended to be a brief first impression only. Once you have characters identified and an idea of the what the story is about, the next step is to map the plot (also at a high level).

I imagine, right about now, that if you’re a pantser, you’re shrieking in horror. Believe it or not, once I finish the “process” I basically let the characters and situations determine the flow of the story. So there’s plenty of room for fun and discovery!

One final note – this should not take hours or days. If it is, you’re thinking too deeply. Remember: shallow, superficial. The rest of the details will come out, I promise.

Questions?  Concerns? Alternate methods? Feel free to comment.

Candy Crush–Cereal Killer Cookies

Hey, all, Suze here. As some of you may know, I write mysteries. Culinary cozy mysteries. I can’t talk much about my own current project just yet, but I can talk about other writers in the genre. So I’ve decided to start a new feature here at the Scribes.  Once a month or so I will introduce you to a cozy mystery author and prepare a recipe (or craft project) from one of her books. Sound like fun?

Book 17, coming in August

Book 17, coming in August

I’m starting off with one of my all-time faves, the Queen of the Culinary Cozies, Diane Mott Davidson. (Click here for a Wiki link) Diane’s series stars an espresso-swilling Colorado caterer named Gertrude “Goldy” Bear Schultz. Like her fairy tale namesake Goldilocks, she just can’t seem to keep her nose out of the business of the inhabitants of the upscale mountain town of Aspen Meadow. In each book she is called upon to cater an affair for the town’s snooty rich contingent, somebody gets killed, and Goldy finds a reason to get involved–even though her husband, Tom, a big yummy hunk of a local cop, repeatedly tells her to stay out of it. With the help of her zaftig moneybags BFF, Marla, and her assistant, aspiring chef Julian, Goldy always solves the mystery and delivers some of the most luscious recipes out there. Here’s one, from The Cereal Murders, book 3 in this long-running series:

IMGP8496Cereal Killer Cookies

2¼ cups old fashioned rolled oats
2 6-ounce packages almond brickle chips (Bits O’ Brickle or Heath Toffee chips)
1 2/3 cup flour
1 teaspoon baking soda
1 teaspoon baking powder
½ teaspoon salt
1 cup firmly packed dark brown sugar
¾ cup sugar
1 cup (2 sticks) unsalted butter
2 large eggs
1 tablespoon vanilla

Preheat the oven to 375 degrees. In a small bowl, mix the oats with the brickle chips. Sift the flour, baking soda, baking powder, and salt together. In a food processor mix the sugars until blended, then gradually add butter. Continue to process until creamy and smooth. Add eggs and vanilla and process until blended. Add the flour mixture and process just until combined. Pour this mixture over the oats and brickle chips and stir until well combined. Using a 2-tablespoon measure, measure out scoops of dough and place at least 2 inches apart on ungreased cookie sheets. Bake for 12 to 15 minutes or until golden brown. Cool on racks.
Makes 4 to 5 dozen

Suze’s Notes: The one tablespoon of vanilla is not a mistake. For me, this recipe made four dozen chewy cookies, plus one, not counting the raw cookie dough I ate. I used a silicone baking mat and left the cookies in for about 9 minutes because I was using the convection feature on my oven. I took them out when they were browned around the edges but still slightly gooey in the center, then left them on the cookie tray to set up before removing them to a wire rack to finish cooling.

This recipe is a delicious twist on the classic oatmeal scotchie. Even the non-oatmeal-cookie-loving Crown Prince of Hardydom conceded that they were “pretty good,” as he grabbed another off the plate. Consensus around the Hardy house is that this recipe is a keeper!

Have you tried any new recipes lately? Do you have a series you’d like to see me feature?

Are you repeating yourself?

PJ here. I love the editing process. Well…love might be too strong a word. What I do love, though, is learning my strengths and weaknesses as a writer, and layering my story with the fine brush strokes that hopefully make the characters leap off the page and the plot keep readers riveted.

As I’m reading through a printed copy of WESTERN DESERT, my editor’s voice rings in my ear.

Coming June 24, 2013!

Coming June 24, 2013!

She has pointed out a specific weakness many times, but I couldn’t see it for myself until I read it on a printed page. There are just some things my eyes don’t pick up on the computer screen. In my case, it’s the glaringly repetitious -ing sentence structure that results in lots of “telling”. It seems I have a habit of structuring my sentences as follows:

We stopped only when necessary and took turns driving, making good time and closing in on our destination.

All in all, it’s not a horrible sentence, but repeating this pattern frequently can really bog down the writing. This is clearly a case of “telling”–beginning with a subject/verb construction, using –ing words, and making it a weak sentence that is unnecessarily long. Ooops! I did it again! Did you catch it? I’ve used two phrases connected by a comma, requiring me to use the gerund form of the verb in the second phrase. Darn it! I did it yet again! I can’t seem to help myself, LOL. Believe me, it was an eye opener when I finally saw it. Hopefully, I’ve taken care of the problem through most of the manuscript. If not, I’m certain my second round with an editor will catch it.

As for strengths, I’ve been told I have a knack for description. Here’s an example of using description to ground the reader in place and to paint a picture of the scene.

In the distance the Western mountain ranges turned a deep purple under clouds of smoke from wild-fires gone unmanaged. The coastal winds from the ocean beyond carried the wayward flames toward the desert, but with nothing but sand and cactus, they would die of starvation long before they reached us or the city of Las Vegas.

Although this could be considered telling, in just a few sentences you get a clear picture of the environment and lots of information about what’s happening. Like most writers, I struggle with brevity—the art of saying more with fewer words—but I’m definitely improving.

Do you know your strengths and weaknesses? Do you have any particularly stubborn habits that bog down your writing?

Rest in Peace, Duchess

Hi, Scribettes and Scribes. Suze here.

Jeanne Cooper 1928-2013

Jeanne Cooper 1928-2013

I was going to talk about my recent trip to St. Louis today, but yesterday’s news made me think about something else. Jeanne Cooper, the matriarch of my favorite soap opera, The Young and the Restless, has died. I don’t know if the part will be recast. On one hand, no one can replace her. Jeanne Cooper was Katherine Chancellor (on screen, anyway), and I for one would have trouble accepting anyone else in the role. On the other hand, the longest-running storyline is the feud between Kay Chancellor (her son Brock always called her Duchess) and the wonderful, scheming Jill Foster Abbot, and that’s always been the pivot point on which the whole show turns. Without Kay, we’re going to feel lost for a while until we get our bearings and see which new direction the show will take.

As writers, we can learn so much about plot and character from the soaps. One of the brilliant things the writers of Y&R did in the beginning was to give Kay some pretty big and scary demons. Her husband was in love with a much younger woman (the aforesaid Jill); Kay became alcoholic; she killed her husband in a deliberate car wreck where she intended to kill herself too, but instead survived. This formed the basis of the conflict between Kay and Jill, and although there have been times when they’ve reconciled (at one point, it looked like Jill was Kay’s daughter given up for adoption. This was later proven false), that underlying hatred of each other was always there. And when things got bad for Kay, the writers could always make it worse and send her back to the bottle so she’d have yet another internal/external struggle.

We hear so much about GMC–Goal, Motivation, Conflict. Well the Kay Chancellor storyline (click here for the Wiki article, if you want to read a synopsis) illustrates that beautifully. And as for plots, of course they’re outrageous. That’s why we love the soaps! But notice how every single episode ends on a hook, and there’s a bigger hook on Friday’s show to bring the viewer back on Monday. While your plots might not take the crazy twists and turns of a soap story, every chapter should end on a hook, big or small. Every book should end making the reader satisfied but wanting more (your next book). And if you ever need inspiration on how to throw rocks at your characters (remember the classic advice: Run your character up a tree. Throw rocks at her. Get her back down.), nobody throws rocks like the writers of soaps. Abducted by aliens? Secret babies? A long lost twin back in town and bent on revenge? Why not?!

So tell me. Do you love the soaps? What’s your favorite show (whether or not it’s still running)? What character keeps/kept you coming back for more and why?

Topped Chef–Interview with Author Lucy Burdette

 

topped-chef-185x300Hey, everyone, Suze here. This week I’m thrilled that mystery author Lucy Burdette is back to chat with us. I’m even more that she has a new book coming out in just a few days. Topped Chef, Book 3 in the wonderful Key West Food Critic series, releases on May 7. Here’s what Lucy has to say:

Tell us a little about yourself.

I’m a clinical psychologist and the author of eleven mysteries (eight of them written as Roberta Isleib.) I love to eat, talk, and write food, and I spend part of the year in Key West. Throw in a couple of cats, and all that combines very nicely in the Key West food critic mystery series.

Tell us about your latest book, Topped Chef.

Topped Chef is the third book in the Key West series–which I am having an absolute ball writing! In this installment, Key Zest food critic Hayley Snow is tapped as a judge on a reality TV  cooking show. But when another judge turns up murdered, she must figure  out who’s taking the contest too seriously before she becomes the next  victim.

If you were casting a movie, who would play the characters in your Key West Food Critic series?

I am dreadful at casting movies and if this dream of one of my books becoming a film ever comes true, I will leave the details to the professionals. That said, I would love to cast Amy Adams as Hayley, and Meryl Streep as her mother! There is a drag queen character in this book too–for that I would suggest using the actual person, Randy Thompson. He’s a fabulous performer!

How do you market your books? Do you have any marketing advice for our readers?

Oh sigh, this is so hard because you can get sucked into the vortex of marketing and forget to write. I use Facebook (www.facebook.com/lucyburdette), Twitter in a half-hearted way (www.twitter.com/lucyburdette), Pinterest for generating book ideas and collecting food photos (www.pinterest.com/robertaisleib), and I blog with two wonderful groups of writers, Mystery Lovers Kitchen (www.mysteryloverskitchen.com) and Jungle Red Writers (www.jungleredwriters.com). When I’m approaching a book launch, I do as many guest posts as I can to spread the word. I try pitching magazines and radio shows. And since there is nothing better than talking with real readers in person, I schedule appearances at book stores, libraries, and conferences. And I also have a website: www.lucyburdette.com

Do you see what I mean about that vortex??

My advice is to pick a few of the many promotional options–the ones that suit your personality–and ignore the rest. And start early. And have fun at it! And try to give something to the readers–they won’t come back if your posts and updates are all about you and your newest release.

Are you a plotter or a pantser?

I’m a little of both. I have to turn in a synopsis to my editor at NAL as part of my contract. But it usually turns out that when I begin writing, the book takes all kinds of U-turns in unexpected directions–which can be exhilarating, but also scary. In the book I’m writing now (or should be), the plot is kicking my butt.

How long does it take you to turn out a draft of a book? Is it an easy–or agonizing–process?

For this series, I have about nine months in between books. The first draft is always agonizing. While rewrites to me are fun!

What made you want to write cozy mysteries? Who are some of your favorite authors?

I’ve always read mysteries and I don’t like gore and violence so this genre is a natural for me. My first culinary mystery idol was Diane Mott Davidson. You might be able to imagine how thrilled I was to land a blurb from her about AN APPETITE FOR MURDER: “What fun! Lucy Burdette writes evocatively about Key West and food–a winning combination. I can’t wait for the next entry in this charming series.” DMD  Wow!

When you’re not writing, what’s your favorite way to spend your time?

I’m a huge reader, of women’s fiction as well as mysteries. I enjoy cooking, my pets, spending time with my family, and enough exercise to overcome the effects of all that good food.

How do you battle the Doubt Monster? We define the Doubt Monster as: the nagging feeling that your prose is terrible, your plot is silly, your characters are insipid, and no one in her right mind would read this drivel, let alone buy it.

My best advice on that came from my writing pal Hallie Ephron: Hold your nose and write. You can’t fix something that isn’t written! And I love my writer friends who understand how hard this work is–they are always available with a crying towel if needed…

What’s next for you? What are you working on now?

I’m in the middle of MURDER WITH GANACHE, the fourth Key West food critic mystery, which will be out in February 2014. The deadline is barreling down upon me! thanks so much for inviting me to visit! And best of luck with your writing Suze :) !

Thanks, Lucy! Lucy’s on her way to Malice Domestic today, but she’ll pop in from time to time and answer your questions.

But wait …!

This is the TVholic’s strategy for sagging middles

Hi everyone. Thea here today, but really, as you read this, I’ll be in KC at the RT Booklovers’ Convention and not in my usual position, rooted at the end of the couch, with tv on and WIP at the ready. So forgive me if I’m not posting an immediate response. (Full report on the conference to come, of course.)

So I want to talk about sagging middles — the kind you delete with a key stroke (oh, if only — ). I’ve said during workshops that “what if” is your single most powerful writing tool. Anything can happen in “what if.” It’s no-commitment plotting. It frees your mind. You can let go, make lists, let them take you to the most improbable plot places.

But wait …! It would be even more productive if at the moment when the plot seems to be chugging along, you stop yourself with those words. But wait …! The juicy incentive used by telemarketers to make you buy (can you tell I watch too much tv?). But wait — maybe your reader isn’t buying a smooth, unfurrowed plotline. Maybe your reader is waiting for something juicy to happen.

But wait …! What if your characters are afraid of losing something? (Love, fame, fortune, respect, family secrets, inheritance, friendship …) Make them lose it. Ask what lengths they’ll go to to get it back. What they’re willing to risk.

Because the more they risk, the more that stands in their way, the more conflict, the greater desire they’ll have (at greater cost) to reach their goal, and so, the richer the plot.

In the simplest terms: Get them in trouble and keep them in trouble. Keep throwing in obstacles, complications, repercussions and don’t let up.

But wait …! What if you don’t know exactly where the plot is going?

Write the NYTimes log-line. That hones it down nicely to two or three lines: Danny Jones has everything he wants, until a secret from his past threatens everything.

Or write the cover copy. That will focus you on the set-up, conflict, and what drives the plot.

But wait …! What if it’s still not working?

Make the problem personal and current. Someone is out to destroy Danny Jones and make sure he never is elected to anything.

Give the protagonist two villains and a moral choice. A childhood friend and his own brother are separately threatening Danny Jones. No matter what decision he makes, he will lose everything, including his friend and his brother.

Up the ante. Not only does a secret from his past
threaten Danny Jones personally, but also his burgeoning political career, his marriage, and his inheritance from a famous relative which comes along with a list of moral stipulations he may not be able to meet.

Add suspense by turning “what if” into “if only.” What could his enemy have against him? If only, all those years ago, he hadn’t — but then there was this other moment when — But nobody knew about that, did they?

Give your protagonist a moral dilemma that forces her to compromise either her beliefs or her values. If Danny Jones is up front about his past, then he will never ever be able to run for office, he’ll lose the love of his life, the inheritance from his famous relative, and he’ll never be able to see his children again.

Try reversing things. Make the hero the heroine and vice versa. Danny is Danielle, a powerful CEO who is courting politics and who has a secret she thought was buried deep in the past. Lovers? Liars? Friends? Family? Who is plotting to betray her?

Keep the reader guessing. For Danielle any of those people associated with her could be her enemy; any one of them can say or do something that would lead her to believe she is on the verge of losing everything. She has too much at stake. She has to be careful not to rock the boat. What is she going to do? (I love this; I think it works even better!)

But wait …!

But I can’t. I have to go. But you can. What juicy incentives would you add to the list to entice your readers to keep reading?

Thea Devine is currently working on a new erotic contemporary romance, and enjoying the release of five of her backlist titles, Reckless Desire, Ecstasy’s Hostage, Relentless Passion, Montana Mistress and Angel Eyes in Kindle editions.

How Writers are Like Gardeners

I hope you all had a wonderful Earth Day and that you did your part in saving our beautiful planet. I spent a much needed day off in the garden this past weekend and it felt wonderful. Every drop of sweat, speck of dirt, and brutal scratches from wayward forsythia brought me closer to Nirvana. Crazy, I know. But how many writers love puttering in their gardens and digging in the fresh dirt? PJ Sharon here, sharing some of my interesting observations from my time with the earth. IMAG0023

While deep in thought as I toiled away, my mind could not fully escape my writer’s life, and lo and behold, I began to realize that writers are much like gardeners. Here’s how.

Writers start with a seed of an idea—a beautiful spark that takes hold deep in the fertile soil of imagination. The roots begin to spread, fashioning a network of connections to other characters and relationships, the story unfolding in our minds and shooting to the surface in search of the light of day and discovery. Our fingers dig away at the keyboard. Eventually we bring to life the intricate buds that seem to come from the cosmic funnel above—too perfect for our mere mortal ability to create without acceptance of divine intervention. Most days, I feel as if I’m a spectator in my writing process just as I understand that I am merely an extension of the Divine when I am in the garden–that I am ultimately not the one in control. That leaves me free to play, unencumbered by expectation. It would be nice if I could be so yielding in my writer’s life.

Interestingly though, even the technical aspects of writing mimic the gardener’s habits. As we writers plot and plan before we begin, so the gardener takes stock of their canvas. They prepare the soil, gather their tools, and imagine the larger picture and end result of the task ahead. They come to know their plants (characters), see all the necessary pieces (plot points), and work to put them in place with some semblance of order. Just as authors must balance narrative, dialogue, description, and backstory, the gardener must seek that same perfect balance, sometimes having to rearrange the plants and bulbs to assure proper flow of colors, textures, heights and compatibility.

Where the gardener adds water and fertilizer, the writer layers in depth of character and adds important details to show growth and development. When weeds invade the space, the gardener ruthlessly plucks them out in order to preserve the harmony of the whole. As such, writers too, need to be willing to be ruthless in their edits. As Stephen King says, we must be willing to “kill our darlings.” Although some weeds can add lovely color or thick greenery, left unchecked, they will infiltrate and destroy the harmony we seek to bring about, distracting us from the vibrant beauty of the flowers we plant.

Ultimately our reward comes when we share our story (garden) with others. Each story is unique to the writer as each garden is unique to the gardener. If the job is well done, the onlooker can see the soul of the creator on the page or in the beauty of a flawlessly designed garden. The love and care that goes into creating—whether it be a novel, a quilt, a beautiful painting, or a colorful garden—is what sets us apart in the animal kingdom. Our ability to create and enjoy beauty is a gift that we humans share, and it should not go unappreciated no matter if you are a novice or master–writer or gardener.

One of the wonderful lessons I have learned from working in a garden is patience. It’s easy to become discouraged by rejections, but just like rainy days, the harsh weather is sometimes necessary to bring the needed motivation for plants to grow and writers to forge on. Recognizing that we need both sunshine and rain to fully mature, the gardener takes this understanding in stride much better than the writer, who often becomes frustrated by those seemingly endless weeds and rainy days. A great review, a contest win, or kind word from a critique partner are sometimes enough of a reward to keep us going when we feel overwhelmed by the tasks ahead, but as any gardener will tell you, the greatest satisfaction comes from basking in the joy of knowing that you have co-created something magnificent that grew from your own soul and from the hand of God.

But that’s just me.

So, dear readers, does this resonate with you? Are you a gardener, quilter, painter, or creator of some kind? Can you see how writing mirrors so many other creative endeavors? Kind of fascinating, isn’t it?

Writing When You’re a Visual Person by VIvienne Ylang

Hello Scibblers!  It’s Saturday and Vivienne Ylang is blogging on the Scribes.  J Monkeys is taking a sabbatical for the summer starting now and has asked me to fill in for her until the cold New England weather leaves and comes back again.  So Hi!  I’m thrilled to be here. 

I’ve been working on Sometimes, a time-travel romance, for a while now and I’m DETERMINED to finish it over the next few months.  All of the plotting, planning, character building has been done.  It’s time to put my backside in the seat and write.  This week, I finished reading through the bit that I’ve got done so far. Today I began the next section.  I wrote all of one sentence and realized that one of my characters was heading outside to learn to fight with a sword, but I had no idea what she would be wearing.  My schedule today only gave me an hour to focus on Sometimes.  I spent nearly the whole time Googling. 

I know, I know…write – don’t procrastinate with “research”.  I hear ya.  But honestly, I’m a visual person.  If I can’t see it, I can’t write it.  Not consistently anyway – or well enough that my audience would be able to picture it from what I wrote.  So I decided to take the time to see her. 

RevivalClothing.com a wonderful website that sells reproduction medieval clothing.  I’m sooooo tempted to make some purchases but the stuff is wicked expensive.  Check this place out.

hope's training clothesAfter an hour, here’s what I decided she’d be wearing.  I drew that picture myself – you can understand why I’m not working as an illustrator, but it get’s the job done. 

Let’s start from the foundation.  The underpants were called braies – loose drawstring boxer shorts type of things with an ingenious little slit on the hips to tie the points of the chauses.  The chauses were the…well…something like a cross between tights, old school 1950′s style stockings and really big socks.  The chauses (worn in this style) covered the entire leg, from the foot on up and were tied to the drawstring of the braies to hold them up.  The braies were tucked into the chauses.  The chauses also could be worn with a garter at the knee – basically a ribbon tied around the leg, or cross-gartered with a coupla criss-crossing ribbons.

Over that, she’s wearing a brown, boys undertunic which isn’t depicted very well.  This is a long-sleeved, linnen, calf length…well, shirt, basically.  Over that, she wearing a boys supertunic – blue with a bit of light brown decoration.  This is a looser-fitting over garment, with 3/4 length sleeves.  It’s shorter than the undertunic.  She’s sporting a leather belt to hold the ensemble together. 

Now, since she’s going out to learn how to use a sword, she’s also wearing a leather jerkin for protection.  I found this picture and quite liked it – I did not draw this one.  hope's leather armorI decided that it weighs around 7 pounds, not too heavy, but stiff and hard to move in it. Perfect for blunting the whack of a wooden training sword.

All in all, I’m quite happy with my work today – even though I only wrote that one sentence.  When I get back to it tomorrow, I know just how to picture her at her work.

So – what’s your secret?  How do you keep your imaginings consistent?  Are you a visual person who has to be able to actually see things to write about them or can you do it all in your head?

 

Choose Your Weapon

PJ here, talking about hand guns and blow guns, and everything in between.

I apologize ahead of time if this post is disturbing to readers who struggle with even the mere mention of guns these days. The tragedies of gun violence in society aside, weapons are a common theme in many of our fiction works. From Harry Potter’s wand to Katniss and her bow, most of our heroes and heroines use some kind of weapon to gain the upper hand against the villains in our stories. So whether you write YA, Mystery, Thriller, Romantic Suspense, or even Regency, you have likely had to research and decide how you would best arm your characters. So how does one decide what weapons or skills to give to imaginary people? If you write Regency or Historical romance–you might want to stick with swords and bayonets. Perhaps having your character be proficient in martial arts will be enough to give them skills to save the day. In my near future dystopian world, I considered that many people will still be carrying and fighting with guns, so that’s where my focus will be for today.

Although I’m a relative newbie to the weapons world, I’ve spent considerable time over the past few years researching handguns and weapons for various characters. I used to write adult romantic suspense and paranormal romance before I “shifted” to YA—no pun intended. I think choosing weapons depends on your character’s personality, training, purpose for having a weapon, and what fits best with the setting of your story. A cross bow is swift, silent and deadly–a definite consideration when fighting zombies. But in many cases, your characters will HAVE to carry guns as part of their job. If you are dealing with cops, PI’s, or military heroes, be sure to talk to someone in that field who is familiar with weapons and ask what they use so you can keep your story authentic and accurate.

Since most of my research was aimed at my female characters, here are a few tips I learned about arming your heroines with guns.

This post is in no way making any political statement about guns or gun control, and is purely for theoretical and research purposes in fiction writing.

Guns are generally chosen according to the purpose for which they are bought. Target/range shooting, sport shooting, concealed carry, or home defense are your main categories. Let’s talk handguns and heroines for example. If your character carries a gun for self-defense, she wants one that is compact and easily concealable. She also wants one that has some stopping power but isn’t going to have a ton of recoil. Revolvers, a.38 for instance with a 2 inch barrel, might seem like a good choice for a reliable, easy to use, and easy to conceal weapon, but unless she is very practiced, the recoil and sting will likely discourage her from pulling the trigger more than once, and accuracy might be affected. If you are target shooting, this is not the gun you want. A slightly longer barrel—say a 4 inch—will add some front weight that will reduce recoil, but is then much less concealable. This might be a good home defense weapon because of its “point and shoot” ease of use for someone who doesn’t plan on spending a lot of time at the range but wants protection.charter_pink_lady_right

Semi-automatic pistols, on the other hand, have a little more weight to them, generally have a smoother shot, and are made to fire rounds in quick succession. They make some very nice compact pistols that are good for both range-shooting and concealed carry, as well as being great for home defense. Yes, there are more moving parts to semi-autos, but once you learn how to use one (racking the slide takes some practice), a revolver seems archaic and impractical. In a zombie apocalypse, a semi-auto is what I’d want! Smith__Wesson_SW_MP_SHIELD_9mm_Sub-Compact_Pistol_MP9_NDIA_Joint_Armaments_2012_DefenseReview.com_DR_17

With new gun laws sweeping the nation, the days of fifteen round clips for semi-autos are likely soon to be over. In Massachusetts, we have had legislation for years that only allows for a maximum of ten bullets in a clip or magazine, which is more than enough to stop an attacker or a bear, providing you can shoot what you’re aiming at. It’s probably not surprising that men typically like larger caliber guns and will usually go for a .40 or .45, while a 9mm will put down an assailant with no problem and doesn’t have quite the same kick for us ladies. S&W, Browning, Ruger, and Sig Sauer all make fine hand guns. It’s all a matter of what features are important to your character and what matches them best. I’ll save shot guns for another time.

I’ve found a ton of YouTube videos on this topic and spent countless hours comparing handguns and shot guns. If you have specific questions, I’d be happy to answer if I can.

In the case of my character in THE CHRONICLES OF LILY CARMICHAEL trilogy, finding just the right weapon for Lily was exceptionally challenging. Lily is only sixteen and she is a healer, and as such, is opposed to weapons of all kinds, especially guns. Not that she hasn’t been trained how to fight and use weapons. Life in 2057 is rough, and after the collapse of society as we know it, weapons and who has them will ultimately determine our survival. It is a sad fact of our humanity that weapons equate with power, but in my future world, this is indeed a fact. One that Lily will struggle with throughout the trilogy.

Coming June 24th!

Coming June 24th!

For one thing, in this future world I’ve created, guns will likely be controlled by the government and by the few rebels who are able to hide them and find or create ammunition for them. In deciding what weapons Lily would carry, I figured utilitarian style tools would be her preference. In WESTERN DESERT, Book Two in the trilogy, she carries a buck knife and a blow gun given to her by a family friend. She is also armed with a very nifty high-tech gadget disguised as a locket. Her uncle, a former NASA engineer has retrofitted her aunt’s locket with a GPS tracker, a laser that can cut through metal, and an EMP (electro-magnetic pulse) that can knock out electronics within a hundred yard radius. Lily prefers to use her brains rather than risk injuring someone to accomplish her mission.

On the flip side, Will is a typical seventeen year-old boy, alone and hardened by the harsh realities of a world in chaos. He would happily take a handgun, a shot gun, or any incendiary device he could get his hands on…if not for trying to appease Lily. An old Louis Ville Slugger and a hatchet hardly seem like enough weaponry to take on the Industry, a rogue government agency set on using Lily’s brother Zeph for some nefarious plot. You’ll have to wait until June for WESTERN DESERT to find out what happens, and see just how they survive the dangerous journey.

As far as my personal favorites, I’d pick a 9mm Smith and Wesson M&P Shield for a handgun, and a Mossberg 500 tactical 12 gauge for my home defense weapon and bear gun. Zombies beware!

How do you decide on weapons for your characters and what kind do they have?

Why Don’t I Like This Book?

I haven’t been reading much lately. With multiple deadlines breathing down my neck I just don’t have the time to lose myself in a book. But a couple of weeks ago I picked up one of my favorite authors’ latest book. It was the second book in a series. I really liked the first. So when I found out the this second book had been release I was so excited. I glanced at the reviews on Amazon. I saw all the 5 stars it was given on Goodreads. When I dived in I was expecting a really great read. But the greatness never came. Page after page I read and while the voice of the writer kept me interested I never lost myself in the book. I never fell in love with the characters. It was taking me days and days to get through it when I usually read a book in a single day or two at the most.But I kept thinking back to all those glowing reviews and those 5 star ratings. The good part must be coming, I thought. There must be something that is going to make this book stay with me. But it never came.

And then I did something that I had never done. I stopped reading it. I got to the last chapter and I stopped reading. It was a romance novel. I knew how it was going to end. I stopped reading because the author annoyed me. The heroine had gone out of her way to spectacularly save the hero and the hero still let her go. I just didn’t see the point of it. They had their dark moment, said their I LOVE YOUS, why extend the book? It sure as hell didn’t make it any better. When I told my friend this she gasped. “How could you stop reading so close to the end? How could you not finish?”

I was mad. That’s how. I felt let down. Confused too. Why didn’t I like this book? What was everybody seeing that I didn’t? I couldn’t get through Fifty Shades of Grey either. Couldn’t get past the third page of that. I not saying that the writing of this book was anywhere near that one, but somehow I found myself in the minority then too.

Maybe I wasn’t in the right mood or maybe I had higher expectations because my reading time is so precious. I don’t know. I just didn’t feel the same way as everybody else.

Has that happened to you? Want to tell me about it?