Does Good Writing Matter? by Katy Lee

I recently came across a survey titled, Does Good Writing Matter? The following are a fewpen of the questions I answered. Would love to compare your answers with mine. Feel free to leave some, or all, in the comments below.

1)      Do you judge other people based on their writing?

Now before you throw your pencils at me, or your mouse as the case may be, I will say the word “judge” may be too harsh. Do I judge? No. Do I feel a writer loses credibility if they can’t express themselves well in writing? Yes. A person’s inexperience comes through in their writing and if they want to be taken seriously, whether in fiction or in nonfiction, accurate writing is a must. But like I said, I would not call it judging. I think a better term would be “to question.” Do I question a person’s validity based on their writing? Definitely.

2)      What writing mistakes bother you most?

The answers to choose from were: “Grammar/punctuation,” “word use,” “long, difficult sentences,” “vague purpose,” “poor logic.”

And my answer? Poor logic and vague purpose. A writer may lose credibility with inaccuracies in their writing, but I don’t let those bother me. I’ll most likely continue to read on, correcting mistakes as I go, but a lack of purpose and poor logic has me closing the book/article all together. For example, a few months back I had to judge a writing contest of published works. One book in particular was nearly painful for me to read because it lacked purpose. I squirmed in my comfy chair. I fidgeted and kept looking at how many pages I had left. My husband watched me from the couch. He said, “You’re not enjoying that book.” I was not surprised he could tell. Every sentence, every piece of dialogue, every scene needs to push the story along and show the purpose to the reader, and it needs to be logical, or they will close it up.

3)      Do you apply the same writing standards to social media?

This one was a tough one for me. With the 140 character limitations in Twitter, I think I have to be more understanding to errors in social media. Although, I have seen some great Tweets and Facebook statuses that are short, but full of impact without compromising intelligence. Then there are those posts that confuse “there, they’re and their.” (See question #1 for my response to those.)

I thought this was a great question given our social media world these days. It used to be that a person had to be credible in their field in order to write. These days, everyone has a soap box (or media outlet). Some might think that’s scary, but I still believe your intelligence, or lack there of, shines through even in 140 characters.

Either way, I’m interested in hearing your take on this one.

4)      What is your personal pet peeve in writing?

This is a question we ask many of our guests here at the Scribes, and I have learned so much from their responses. I had no idea some of my word choices bothered people. Now I do, and I don’t do them anymore. So, I am hoping if you don’t answer any of the other questions, you will at least answer this one. I know there is still so much for me to learn, so please share.

Now as for my personal pet peeve word. I would have to say the word “got.” It just jolts the flow of my reading. Also, “lightening vs. lightning.” One is to lighten your load. The other is a natural electric discharge in the atmosphere. The misuse of that word also gives me a jolt. <grin>

The Unlocked Secret: Today’s secret isn’t really a secret, but here it is anyway: Everyone’s a critic. Make every effort to put your best work out there. That means take the time to learn through classes and workshops, reading various works, and keeping your handy-dandy grammar book by your side at all times. And if you’re still unsure? That’s what editors are for.

So, have at it, Scriblings! Answer away, and remember as I said in question #1, I don’t judge.

And as always, thanks for your Tweets and Shares!

The Final Countdown (A Book Launch Story)

Hi there, Sugar here. And I have got a twitchy eye. Why? Because I’m stressed out. Forget about the multiple deadlines and the difficult day job, I’ve got a book coming out in a little over four months. And while I am over the moon excited, am I ready? Absolutely not. 

Saturday I spent the day with my CTRWA peeps and listened to Kristan Higgins give a great talk about how to prepare for a book launch. I listened to every word which is hard for me because I have severe case of self diagnosed ADD but I had trouble absorbing everything because the entire time I kept thinking oh S#@t I’m not ready. I’m never going to be ready. Book seller letters, and authors assistants and giveaways and swag and book signings and public speaking and workshops and blog tours and Facebook and Twitter and Goodreads and websites and newsletters and put me out of my misery.

I went home that night sobbing with all of that stuff swimming in my head. I think I feel the way all writers feel. If I can just get my book into the public’s hand they’ll like it, some will hate it, but a lot will like it. But how can I do that? I know realistically I can’t do it all. I don’t have money to hire an author’s assistant or to buy really cute swag.  There is no way in hell I’m going to be able to put together and manage a street team. I have no back list to give away, no legion of fans that I can ask to spread the word about me.

But instead of thinking about all the things I can’t do I started to think about the things I can do.

I can continue to write good books. Before anything else I will focus on this. I write because  I feel compelled to not because I need or want to.

I can update my Facebook fan page and Twitter daily. I sometimes have trouble with this. I can’t talk about my day job, or bitch about my mother. I don’t have any kids to tell cute stories about. I don’t have a cute boxing trainer that I can pant over. Hell, I don’t even have a pet, so I sometimes wonder if what I have to say is good enough. (I don’t mean to toot my own horn but I think I’m pretty damn engaging.) Check me out here.

I can spend my limited advertising money wisely. In DANGEROUS CURVES AHEAD my heroine is a wicked funny, ultra curvy fashion blogger/designer/shop owner. And if she were a real person she would be all over Full Figured Fashion week which is taking place in NYC June 17-21st.( PS I’m looking for some women to hit the sample sale with, if anybody is interested.) I’m researching taking out an ad in their program. Even if it doesn’t reflect in direct sales, I can get my name out there and let girls like me know I write books about girls like them. I can also take out targeted ads on Facebook and GoodReads without having to spend much of my hard earned cash.

I can look like the super sexy successful author I want to be. I’m shedding some of this extra coat of winter fat. (9 pounds and counting). This also includes buying new outfits which is no real hardship for me.

I can attend conferences. Look out Atlanta here I come!

I can take care of myself. I can eat healthier. Sleep better. Drink more water and try to not let the stress take anymore of my hair out. Because without me there are no books to launch. We ALL need to take care of ourselves!

So what do you do? What do you think I should do to help with this book launch? Any and all comments are welcome. 

How to Choose a Writer’s Conference

PJ here, happy to be on the East coast and back in my own bed…ahhhh. After doing this writing thing for a while, I’ve been to quite a few writer’s conferences, and I wanted to share my experience on how to choose the “right” conference for you. If you belong to RWA or a similar writer’s organization, you probably get inundated with lots of options. Here are a few things to think about.

road tripLocation/Accommodations: Check out the hotel venue and make sure the location is some place you’d like to stay for a few days. A bad night’s sleep, disappointing food, or poor quality hospitality can really put a damper on your stay. It’s worth visiting the hotel’s website and checking out their reviews. Make plans for car rental and recreational activities ahead of time so you don’t get there with hopes of visiting a locale on your “down time” only to find that you can’t get a car rental on short notice or the place you want to visit is closed. Although you are going for business, one of the perks of traveling is enjoying the sights along the way. Also, check to see what is around your hotel. Are there local restaurants and shopping within walking distance? Is there a gym? An indoor pool? Are you next to a train yard, airport, or in a bad section of the city? Some of these things may not be important to you, but if they are, make sure you know what you are paying for ahead of time. Scope out your hotel and surrounding area on Google maps.

Price: Is it affordable and worth the money for what you are getting? Are meals included? Are the speakers well known and knowledgeable? Is it worth your time, money, and effort? Remember to consider your loss of income while you’re away from your day job, and factor in any accrued costs such as wardrobe, entertainment, and additional travel fees (taxis, trains, buses etc.). Remember to save all receipts for tax purposes.

Focus of conference: Does the conference offer workshops that will help you further your career goals? If you are a newer writer, make sure there are craft workshops geared to what you’d like to learn. If you are seeking publication, are there opportunities to meet with agents and editors to pitch your story? Agent and editor panels offer a great opportunity to ask questions, find out what they are looking for, and hear the latest about the industry from publishing professionals. If you are a published author, do they offer promotion, marketing, and business oriented workshops? Interested in self-pubbing? Do they offer the most updated information available in this rapidly growing and changing aspect of the industry? If you are participating in a book signing, how successful have previous years been and how many readers can you expect to see? Shipping books is expensive, so ask for clear answers about realistic expectations. My experience is that print books don’t sell all that well at conferences and I rarely recoup the cost of shipping. I can see e-books being the way to go for future signings.

Networking: Conferences are a wonderful place to meet like-minded individuals and make professional contacts that you might never have the chance to meet otherwise. Don’t stalk the agents and editors but research them and know who you’d like to make a connection with. Make the effort to sit next to them at lunch or dinner (or in the bar). Be ready to talk intelligently about your work. Be prepared with a SHORT pitch of your WIP. Create a one or two sentence summary (log line) of what your story is about. The most common question asked at conferences is “What do you write?” The second most common question is “What is your story about?” Have an answer memorized and ready, and confidently smile as you give them your brief spiel. Don’t monopolize their time, but use the time wisely. If you get tongue tied and start rambling or their eyes begin to glaze over, stop talking and ask them a question about something unrelated. Where are you from? Are you a writer, too? Do you love baseball, zumba, pole dancing? Something that will put you at ease and take the heat off of you until you can collect yourself and get comfortable enough not to sound like an idiot. These are just people, but they are professionals and are there to FIND YOU! Respect their time, but don’t let your fear stop you from putting yourself out there.

Quality Speakers: I cannot stress this enough. Do some research on the speakers. What are their publishing/professional credentials? Just because they are there, doesn’t mean they are interesting, entertaining, or an expert in their field. Have they done this workshop before? How many times? Ask around to other writers and check out the websites of your presenters. If they don’t have a professional website that is engaging and informative, it might be an indicator that they aren’t all that well organized.

Organization: If you’ve ever participated in organizing a conference, you know about the gazillion moving parts and the army of people it takes to put on a seamless production. Of course there are always things that go wrong or details that get missed, but overall, organizers want it to be a good experience for everyone and they want attendees to return year after year to support the effort. If they don’t return e-mails, or answer your questions clearly up front, chances are the conference won’t be much better organized than the individuals running it. Conferences are generally a way for organizations to make money to support writers and their endeavors, so organizers (who are all volunteers, so be patient and kind to these people) are invested in making your conference experience successful. If there are suggestions you have for improvements, be sure to share them with conference organizers.


And last but not least, Food: You might have to contact the conference organizers for this information, but it’s worth asking about the menu ahead of time. If you have dietary restrictions or just want to make sure that some healthy selections are available, it’s worth the added effort to ensure that your needs are known ahead of time. You also have the option of doing a bit of shopping when you get settled in and stocking your hotel room refrigerator (make sure one is available in your room when you book your reservation) with fruit, yogurt, water, etc. so you can avoid the breakfast buffets that offer all those yummy bagels, pastries, muffins, and such. Will there be adequate chocolate selection at breaks? Just sayin’.

Unlocked Secret: Do your research, guys. There are enough choices for quality conferences around the country and your educational dollars are valuable, so make them count and get the most of your experience.

I hope to see you all at the RWA National convention in Atlanta this summer. It’s shaping up to be a fabulous time!

Any other tips for our readers to help them find a quality conference? What has been your favorite conference experience? Any funny experiences you’d like to share from the “trenches”?

2013 Writers Conferences

I’ve only ever been to two writer’s conferences. They both were put on by my local RWA chapter (CTRWA). I usually like to be a worker bee on conference day, so I tend to miss all the great work shops and networking that a lot of other people might enjoy on conference day. This year I plan to change that. (I got a book coming out in August!) Of course I’m going to be working my own chapter’s conference but this year I plan to attend some others.

In the past one of the major reasons I didn’t attend other conferences was the cost. RWA’s National conference was way WAY out of my budget. The registration fee alone is more than my car payment and my electricity bill combined. Even local conferences can be expensive. Besides the registration fees, they require travel and sometimes a stay overnight in a hotel. For a lot of us that is just not feasible.

BUT I think it is important for writers to attend conferences. I know a few writers who have snagged agents and or book deals from the pitch sessions. It’s a chance to meet other writers, to make friendships,to get your name out there, to learn from other writers. And if you don’t have a fear of public speaking, to teach writers some of the things you know by giving a workshop.

This year I have set money aside just so I can go to a couple of conferences. (Goodbye very sexy expensive Isabella Cole lace up booties. I’ll be with you in my dreams.)Isabella Cole Boots, EEE Fit

I’m still an extreme newbie to this whole writing thing and I know I’ve got a lot to learn.  So I’ve been looking at some of the conferences.  The New England Chapter of the RWA is hosting their conference April 26-27 in Massachusetts. The price is $219 if you register before March 1st. They’ve got some pretty big names attending. If you want to check it out here’s the link.  http://necrwa.org/blog1/conference/  Plus my friends TL Costa and Peter Andrews will be there giving workshops.

Then there is the Backspace Writer’s conference  May 23-25, 2013 with agent extraordinaire Donald Mass giving a workshop. This conference seems less romance friendly than some others but still valuable to attend. The early bird price is $595. The regular is $720. Plus it’s in NYC which means expensive hotel rooms.  But if you got the cash to spare…   http://www.backspacewritersconference.com/

Then there is the mother of all Romance conferences. RWA’s annual conference, which I’m planning to attend, will be held July 12-20 in Atlanta. The cost? $450 if you register early. $500 if you don’t. I hear this conference is an absolute blast and besides all the networking opportunities you really learn about the romance industry. So I plan to go and will be convincing my friends to save their pennies so I won’t have to go alone. http://www.rwa.org/p/cm/ld/fid=559

(Goodbye pretty Michael Kors handbag. Maybe I’ll see you in another life.)

So today I need to know from you all, what conferences have you attended? Which are the most beneficial  Which are the most fun? Which are the most cost effective? And which ones are you planning to attend? Maybe I’ll see you there.

What is ARWD in YA Lit?

PJ Sharon, coming to you on this fine Tuesday from the Northeast Hills. I hope you’re all well and ready to celebrate Thanksgiving. Today, I’d like to share a few new tidbits I learned last week. I just finished taking a YARWA sponsored online workshop , Sex in YA, with the fabulous and talented Heather Howland, editor at Entangled Publishing, who cited ARWD as one of the main problems she sees with YA manuscripts. So what does this strange acronym stand for?

Adult Romance Writer’s Disease. That’s right, it’s that inadvertent adult voice that seeps into YA manuscripts, especially when writing sex or sexual tension scenes. She noted that this seems to happen most often when writers of adult romance make the leap to writing YA. She also noted that she sees this as a problem in many indie-published YA titles. I would agree, and think this is possibly due to the fact that indie-authors are not working with “commercial” editors and aren’t worried so much about fitting into the trad-publishing mold, which has some pretty strict standards about what is marketable fiction. It may also have to do with the fact that YA has a huge cross-over market with adult readers these days, so the language has become more sophisticated. Whether this is intentional or simply an oversight because of the ARWD problem is anyone’s guess.  

There are many levels of steaminess in YA, and Heather has seen it all. But what separates YA from adult romance is the subtle, or not so subtle nuances in voice, word choice, and knowing how far is too far for the story. I saw many awseome examples during the workshop and Heather’s critiques were invaluable.

For instance, if you’re writing about a teen pregnancy, as I did in ON THIN ICE, you’ll likely have to account for the “deed” and will want to make it real to readers…along with the consequences. But we as authors might just need to be sensitive to our audience and take some responsibility for HOW we make it real. Of course this is up for debate, but in my opinion, you have to consider whether you want 12-14 year-old readers (the lower end of the demographic for YA these days) getting a head full of “on the page” description of body parts and anatomical functions the way we see it written in most adult romances. Or is it oh-so-much better to be in the character’s head, experiencing not only the physical, but the emotional impact of the scene from that “first” time POV, which is usually less about the act and more about the feelings involved and all the crazy thought processes that interfere with the actual event.

 I thought I had handled this pretty well when I wrote about Penny and Carter’s first time, but alas, Heather rightly diagnosed me with ARWD. I submitted this particular scene, because it was the steamiest I’d written in any of my books–the only time any of my characters have gone “all the way,” and I knew something wasn’t right. Heather was kind enough to critique our scenes and underlined the sentences that came across as “adult” language. It’s been two years since I wrote this passage and I’ve learned a lot since then, but when she pointed out the problem, I saw it clearly for the first time.

Like any good critique, she started with a positive:

My first impression was that you have a strong, smooth voice. Very easy to read. I can definitely appreciate this as an editor who sifts through a lot of submissions!

Thank you so much for saying so, Heather! And here’s the part of the excerpt that she found problematic, followed by further critique:

As for the intimacy itself, there are some ARWD moments:

A large sleeping cat awoke deep inside me, ready to make its escape. My body purred in response to his flushed face and blazing eyes. His fingertips scalded along my cheek. He wanted me. I could see it, feel it—even taste it in the air.

 As our lips touched, my heart fluttered madly in my chest. I felt the power of his desire, the confidence of his touch. He wasn’t like any other boy I’d known or kissed. He was gentle and sure, and he knew what he wanted. He laced his fingers into my hair and pulled me closer, his lips parting. His tongue felt soft and warm against mine, not demanding, but giving and taking equally. Beyond the saltiness of potato chips and the shared bitterness of Budweiser, I tasted a unique flavor that was his and only his. I wanted to drink him down until I was drunk with it. I wanted to drown in the sensations and smells, the sounds of our mingling sighs and the feel of his hands on my skin.”

Heather’s critique:

With minor exceptions, these are the exact descriptions I’d expect to find in an adult romance novel, not the observations of a 16yo virgin. That’s problematic in and of itself. Your heroine is very aware of her body, his body, her body’s reaction to his body, and all the back and forth physical actions of the kiss—none of which I’d expect to see from someone with her experience. I think this can be tweaked by remembering how you felt about sex at her age. While times have changed and sexual attitudes have relaxed a bit since most of us were 16, I think a lot of the same fears and maturity issues are the same. Teens really do think of everything in a self-oriented light, and when they experience something like this for the first time, it’s hard to be in the moment for them. Their minds are rioting with new information and observations. (There was some confusion about Penny’s age…she was actually 17 in the story, but I agree with this critique on all counts).

This was enormously helpful feedback and made me wish that Ms. Howland was one of my editors. I’d love to see what she would do with my more recent work. Hopefully, I’ll manage to avoid the ARWD trap now that I know what it is and can hopefully spot the signs and symptoms.

Do any of you YA writers out there have this problem? Have you seen it in the YA lit you’ve read? How do you like your YA sexiness…sweet or spicy?

 

 

How to Speed Date your Character

Hey Scribe’s fans, PJ Sharon here. This past weekend, I spent Saturday with my writer friends at the CTRWA (CT Romance Writers of America) chapter meeting. Our usually packed monthly meeting had only about thirty members due to the New England Crime Bake conference that many of our members ditched us for attended. But even with our skeleton crew, we managed to have a fabulous time. Thanks to Jamie Schmidt, our illustrious leader for the day (that’s her in the Victorian garb and the funky boots), we enjoyed a most helpful exercise, called “Speed dating your character.”

Some of us took the liberty of getting into character by dressing up for the occasion. That’s me in the silly glasses (Lily’s eye shields that look suspiciously steampunky rather than dystopian but work for the costume, I think). Left to right is Christine Bundt, Jennie Francis, Angelique Meltivier, Jamie Schmidt, me, and Melanie Meadors.

 I found that becoming my character was especially challenging since I’m far from a sixteen-year-old girl and even farther from the year 2057. The exercise itself, however, was very enlightening. We divided up into groups of five or six and went around the table asking questions of each other’s characters, focusing on one person for about five  to ten minutes. Being grilled about our likes and dislikes, and the most intimate details about our character’s lives and personalities felt a bit like being on the Dating Game.

The funny thing was that as I answered questions from each person in the group, and each answer led to deeper questions, the more I felt like Lily Carmichael, my main character from Waning Moon. I had to totally put myself in her place, talking about my family, friends, what life was like in my fictional future world, and even what my hopes and dreams were. It really made me think about what my story was about and who my character was down deep. After a few minutes, I actually began talking in a different voice and even felt different inside. It was strange to answer in Lily’s voice and from her experiences in the book.

The following questions came up, which I thought really got to the core of our characters.

What are you most afraid of?

What is your greatest flaw/strength?

Who do you love/hate?

What are your hopes and dreams?

What is it like being a teenager with so much responsibility?

How do the people of the future survive and what does the future world look like?

These were only a few questions, but the idea was that we put each other on the spot and forced each other to dig deep and get to the heart of our characters. If you have critique partners or a writing group, I highly recommend you try it.

What questions do you ask your characters to get to know them better?

 

Retreat Recap

Tuesday’s Scribe, PJ Sharon here. I had the great pleasure of joining several CTRWA members this past weekend at the lovely Guest House Retreat Center in Chester, CT. We’ve been planning this weekend retreat for months, and no one was more excited than me to get away and share some quality writing time with my pals. I thought you all might like to hear about the highlights.

After checking in at 3:00 on Friday afternoon, we were all treated to a wonderful dinner and dessert before settling in for an evening of critiquing. We divided up into small groups, and each had the opportunity to share the first five pages of our WIP. This was immensely helpful to me personally, as my fabulous critique partners, Jane Haertel and Tracy Costa, convinced me yet again, that my short story prequel to my trilogy, to be released as part of the WG2E October Anthology, called SOUL REDEMPTION, actually started in chapter two. (Read my previous post about “The story starts here.”) I’m not sure why I haven’t quite mastered the art of where to start a story, but they were absolutely right and it will now read so much better.

Saturday morning, I rousted eight of my fellow writer friends out of their beds to join me in a 6:00 a.m. yoga class. I’ve been teaching yoga for about seven years now, and I love sharing a gentle, restorative practice with newbies and experienced yogis alike. Relaxed, refreshed, and energized, we had a hearty breakfast and then spent the next few hours working on our individual WIP’s in the comfort and solitude of the many nooks scattered about the quaint old inn.

After lunch—and I have to say here, that the food was simply outstanding—we gathered for an interactive debate with authors Kevin Symmons and Arlene Kay, who shared their humorous and spirited take on setting vs.character. Then we had more alone time before supper, where most of us made another dent in our weekend word count. I was able to finish all of my edits for WANING MOON, and I heard from Melanie Meadors that she broke her record of 5,000 words in a weekend. WTG Melanie!

Saturday night after a tasty Salmon dinner and blueberry cobbler—seriously, did anyone else gain five pounds this weekend—we got together for a fun-filled evening of Plotting Playoffs with our hostess diva, Jamie Pope, aka. Sugar Jamison. Our illustrious Prez, Jennifer Fusco won the big honor of the night and was rewarded with the coveted tierra, boa, and pink girly gloves—not to mention the best writer on earth certificate.

I’d like to personally thank the brilliant Jane Haertel, aka Suze Hardy, for helping me plot out Book Two of my trilogy, WESTERN DESERT. It’s going to be awesome, but I may need another retreat in the spring!

Much wine was consumed, laughs were shared, and in my opinion, the best line of the weekend came from Jennifer Yakely, another CTRWA contracted and soon-to-be published author, who said, “Historical romances are all about balls and Duke screwing.” I love writers! Don’t you?

Workin’ for the Weekend

I don’t know about you, but I’ve had one heck of a week since the last time we met here at the Scribes blog.

I’ve been super busy getting ready for this weekend, as in day after tomorrow. Our RWA chapter (CTRWA) is hosting a writer’s conference on Saturday. We’ve got 135 attendees, 15 workshops, and 15 editors and agents ready to take pitches. This year I’m involved in the planning and execution phase of the conference, and let me tell you, unless you’ve seen it firsthand, you would not bee-leeve the amount of work that goes into preparation for a conference of this size and scope. Others have worked far, far harder than I (you know who you are), so I’m not looking for sympathy here! The next time you attend a conference — even if it turns out to be not everything you’d hoped for — take the time to thank the organizers, who are probably volunteers. You could also buy them a drink, just sayin’.

Dream it and Achieve it, Baby!

In the midst of the preconference frenzy, I’ve been putting final touches on my manuscript and practicing my pitch for the agents and editors I’ve targeted as likely to want my story. Consequently, I’m going to keep this post short and sweet. Very sweet. Here’s one of my family’s favorite cookie recipes. Hope you enjoy it! And if you decide to make it, could you drop a few off at my house? I just don’t have time to make my own right now!

ORANGE DREAM COOKIES

  • 2-1/4 c. flour
  • 3/4 t. baking soda
  • 1/2 t. salt
  • 1 c. butter
  • 1/2 c. granulated sugar
  • 1/2 c. light brown sugar
  • 1 egg
  • 1 T. finely grated orange peel (orange part only, not the bitter pith)
  • 2 cups (or one package) white chocolate chips
  • 1 cup orange flavored dried cranberries (such as Craisins) – optional, but I like the way they “tart up” these quite sweet cookies and intensify the orange flavor
Stir together the flour, baking soda and salt. In a larger, separate bowl, cream together the butter and sugars until light and fluffy. Add the egg and orange peel and mix well. Stir in the dry ingredients, then the white chocolate chips and cranberries.
Drop by rounded teaspoonsful onto a cookie sheet lined with parchment or silicone baking mat, and bake at 350 degrees for 10 minutes, or until just set and very lightly browned. Don’t overbake these cookies, as the chips tend to get grainy and the cranberries get too dry.
Enjoy!  And if you’re pitching this weekend, Good Luck! I’d love to hear how you’ve prepared yourself.

Top Three Reasons to Take and Teach Workshops

How is it Tuesday already? PJ Sharon here, bringing to you my top three reasons to both take writing workshops and give them. Of course my main reason is that I’m a firm believer in lifelong learning. I also think we owe it to ourselves and others to pay it forward when we learn something useful. After all, sharing ideas is the reason we write.

I just finished taking an online workshop called YA Heroes Journey, offered by my YARWA buddies Jennifer McAndrews and Linda Gerber. It was excellent! I loved how they were able to give me immediate feedback on my WIP and help me to improve my grasp of plot, character archetypes, and the deeper motivations of my hero and heroine.

Over the past six years, I have taken dozens of online workshops through RWA’s individual chapters, Savvy Authors, and YARWA (young adult chapter of RWA), and have never been disappointed. In addition to these online workshops, I’ve had the privilege of attending the RWA National convention five times, CT Fiction Fest four times, and a Romantic Times Booklovers Convention for the first time this year. All of these venues offer incredible workshops and endless opportunities for networking—not to mention tons of fun!

 Here are my top three reasons why you should take writing workshops:

1)      To hone your craft. When I began writing down the crazy stories in my head, I had no idea there were so many rules to writing. From point of view and plot, to balancing dialogue and narrative, I felt as if I could study the craft for the rest of my life and barely scratch the surface of all there is to know. I make it a point to take workshops as often as I possibly can.

2)      Feedback on your WIP. This is probably one of the most valuable parts of taking a workshop. So many times, we struggle through the rough patches of our stories and suffer alone, feeling as if we can’t see our work objectively or find the forest through the trees. It’s great to have critique partners, but it’s also good to have objective individuals give you a fresh perspective on your work.

3)      Affordable and focused education. It takes about $30,000 and more than a couple of years of your time to obtain an MFA. During that time, you spend a considerable amount of energy focusing on literary critique of published works, reading and writing poetry, and working to earn grades rather than working on your own projects. Not that this is entirely a bad thing, but if you are planning to write genre fiction, it might not be the best use of your time and resources. The workshops I’ve taken range from $10-$25, are taught by talented and dedicated writers and published authors, and last anywhere from a couple of weeks to a month. A very wise and doable investment in my opinion. You can take the workshops you need, when you need them, and take them for a fraction of the cost of college courses.

In addition to all of this fabulous learning, I’ve come to appreciate the benefits of teaching. Over the years I’ve taught ice skating and yoga classes, done personal training with individuals and groups, and given workshops on health and fitness related topics. I’ve hesitated to jump into the arena of teaching writing workshops, mainly because I still feel like a newbie in so many ways. It probably doesn’t help that I teach a monthly writing class to a group of teens who constantly make me aware that they are much smarter than I am.

 But after doing a craft corner last year for the CTRWA group about writing fight scenes, I realized that indeed I do have something to offer by way of workshops. I know about martial arts, I know what makes a good fight scene, and I’ve taken a few workshops on the topic. So by popular demand, I’ll be offering my very first workshop, “Fun with Fight Scenes,” at the upcoming CT Fiction Fest conference on May 12th. Other presenters include Kristan Higgins, Jessica Andersen, Toni Andrews, and Jennifer Fusco, just to name a few. We also have the fabulous Sherry Thomas as our keynote speaker. Incidentally, there will be plenty of opportunities to pitch your story to some of the best agents and editors in the business. You won’t want to miss it! 

Here are my top three reasons to give a workshop:

1)      Share knowledge with other writers. If you’ve been working to hone your craft for a few years and have worked hard to complete a few novels, you know a little something about writing. Even if you don’t feel up to the task of teaching “on writing,” I’d bet  there is some area of expertise you could share with your fellow writers that would give them a leg up on their WIP.

2)      Networking. There is no better way to get exposure to new people than to teach a workshop at a conference or online. Getting our faces and our talents in front of industry professionals is an incredible marketing opportunity. If you are in the “business” of writing, setting yourself apart as an expert or authority on a sought after topic is a great way to get some notice.

3)      Public speaking experience. Again, if you are planning a career as a writer, there will be many occasions where you will be required to present yourself publically. Whether it’s pitching your story to an agent or editor, or doing a radio or TV interview, the more experience you have with public speaking, the better prepared you’ll be for whatever opportunities come your way.

 If you haven’t been to a conference in a while (or ever), there is still time to sign up for CT Fiction Fest. I’d love to see you there!

 What was the last workshop you took? Have you ever taught one? I’d love some tips on how to make mine stand out.