Are you repeating yourself?

PJ here. I love the editing process. Well…love might be too strong a word. What I do love, though, is learning my strengths and weaknesses as a writer, and layering my story with the fine brush strokes that hopefully make the characters leap off the page and the plot keep readers riveted.

As I’m reading through a printed copy of WESTERN DESERT, my editor’s voice rings in my ear.

Coming June 24, 2013!

She has pointed out a specific weakness many times, but I couldn’t see it for myself until I read it on a printed page. There are just some things my eyes don’t pick up on the computer screen. In my case, it’s the glaringly repetitious -ing sentence structure that results in lots of “telling”. It seems I have a habit of structuring my sentences as follows:

We stopped only when necessary and took turns driving, making good time and closing in on our destination.

All in all, it’s not a horrible sentence, but repeating this pattern frequently can really bog down the writing. This is clearly a case of “telling”–beginning with a subject/verb construction, using –ing words, and making it a weak sentence that is unnecessarily long. Ooops! I did it again! Did you catch it? I’ve used two phrases connected by a comma, requiring me to use the gerund form of the verb in the second phrase. Darn it! I did it yet again! I can’t seem to help myself, LOL. Believe me, it was an eye opener when I finally saw it. Hopefully, I’ve taken care of the problem through most of the manuscript. If not, I’m certain my second round with an editor will catch it.

As for strengths, I’ve been told I have a knack for description. Here’s an example of using description to ground the reader in place and to paint a picture of the scene.

In the distance the Western mountain ranges turned a deep purple under clouds of smoke from wild-fires gone unmanaged. The coastal winds from the ocean beyond carried the wayward flames toward the desert, but with nothing but sand and cactus, they would die of starvation long before they reached us or the city of Las Vegas.

Although this could be considered telling, in just a few sentences you get a clear picture of the environment and lots of information about what’s happening. Like most writers, I struggle with brevity—the art of saying more with fewer words—but I’m definitely improving.

Do you know your strengths and weaknesses? Do you have any particularly stubborn habits that bog down your writing?

Writer Beware (How much should you spend on learning your craft?)

Hi there, Sugar here.  So I have a secret. Before I sold DANGEROUS CURVES AHEAD to St. Martin’s Press I never spent a dime on learning how to write. Oh I joined the RWA and my local chapter. I went to the monthly meetings, I read  a lot of the writers I admired. I found good critique partners and beta readers. But I never paid for a class, bought a book or shelled out hundreds of dollars on workshops. Am I that good of a writer? Well, I would like to think so, but the truth is, I’m not. I know I can be better. I know that there is always chance for growth. But do I want to pay thousands for a chance to grow. Absolutely not.

I don’t spend a ton of time surfing Twitter but when I do, it seems that somebody is always trying to sell writers something. Classes, books, retreats, all day workshops. They all promise to make your characters stronger, your dialogue wittier, your sex scenes filled with more… Umph. But with all that stuff out there how do you know what’s worthy of spending your hard earned cash on.

So I put together a little list of things you should think about before you shell out your money.

1. Look carefully at who is giving the workshop/ writing the book/ selling the product. Do they have any credibility?  If they are teaching about craft, have they ever sold a book to a major publisher? Have they taught before? Have you heard good things about them?
2. For self pubbers. If they are claiming that they are successful and can teach you how to be, can they prove it? Are they willing to share numbers? Secrets?
3. Can you get what they are selling else where for free? There are a lot of blogs out, A LOT, for writers by writers where you can get good info for free. Read them.
4. Can you use your friends?  Just before I was about to submit my manuscript I thought about paying to have a professional critique it, but then I saw the prices. They ranged anywhere from $300-$800. Way too rich for my blood. Plus it’s only one person’s opinion. What one person might love another might hate. So use your friends when you can. They are readers too.
5. Have you checked out writer’s forums like Absolute Water Cooler or Query Tracker. You can learn much from reading the posts on there. 

Sure there are classes and books out there that are well worth it. But the best way to get better at writing is to get your butt in the chair and write. The more you write the better you get. I promise. It works. I’m proof.

Now it’s your turn. What do you think about before spending your money on craft? And if I was going to spend some money, what books/ workshops/classes would you recommend?”

Does Good Writing Matter? by Katy Lee

I recently came across a survey titled, Does Good Writing Matter? The following are a few of the questions I answered. Would love to compare your answers with mine. Feel free to leave some, or all, in the comments below.

1)      Do you judge other people based on their writing?

Now before you throw your pencils at me, or your mouse as the case may be, I will say the word “judge” may be too harsh. Do I judge? No. Do I feel a writer loses credibility if they can’t express themselves well in writing? Yes. A person’s inexperience comes through in their writing and if they want to be taken seriously, whether in fiction or in nonfiction, accurate writing is a must. But like I said, I would not call it judging. I think a better term would be “to question.” Do I question a person’s validity based on their writing? Definitely.

2)      What writing mistakes bother you most?

The answers to choose from were: “Grammar/punctuation,” “word use,” “long, difficult sentences,” “vague purpose,” “poor logic.”

And my answer? Poor logic and vague purpose. A writer may lose credibility with inaccuracies in their writing, but I don’t let those bother me. I’ll most likely continue to read on, correcting mistakes as I go, but a lack of purpose and poor logic has me closing the book/article all together. For example, a few months back I had to judge a writing contest of published works. One book in particular was nearly painful for me to read because it lacked purpose. I squirmed in my comfy chair. I fidgeted and kept looking at how many pages I had left. My husband watched me from the couch. He said, “You’re not enjoying that book.” I was not surprised he could tell. Every sentence, every piece of dialogue, every scene needs to push the story along and show the purpose to the reader, and it needs to be logical, or they will close it up.

3)      Do you apply the same writing standards to social media?

This one was a tough one for me. With the 140 character limitations in Twitter, I think I have to be more understanding to errors in social media. Although, I have seen some great Tweets and Facebook statuses that are short, but full of impact without compromising intelligence. Then there are those posts that confuse “there, they’re and their.” (See question #1 for my response to those.)

I thought this was a great question given our social media world these days. It used to be that a person had to be credible in their field in order to write. These days, everyone has a soap box (or media outlet). Some might think that’s scary, but I still believe your intelligence, or lack there of, shines through even in 140 characters.

Either way, I’m interested in hearing your take on this one.

4)      What is your personal pet peeve in writing?

This is a question we ask many of our guests here at the Scribes, and I have learned so much from their responses. I had no idea some of my word choices bothered people. Now I do, and I don’t do them anymore. So, I am hoping if you don’t answer any of the other questions, you will at least answer this one. I know there is still so much for me to learn, so please share.

Now as for my personal pet peeve word. I would have to say the word “got.” It just jolts the flow of my reading. Also, “lightening vs. lightning.” One is to lighten your load. The other is a natural electric discharge in the atmosphere. The misuse of that word also gives me a jolt. <grin>

The Unlocked Secret: Today’s secret isn’t really a secret, but here it is anyway: Everyone’s a critic. Make every effort to put your best work out there. That means take the time to learn through classes and workshops, reading various works, and keeping your handy-dandy grammar book by your side at all times. And if you’re still unsure? That’s what editors are for.

So, have at it, Scriblings! Answer away, and remember as I said in question #1, I don’t judge.

And as always, thanks for your Tweets and Shares!

The Final Countdown (A Book Launch Story)

Hi there, Sugar here. And I have got a twitchy eye. Why? Because I’m stressed out. Forget about the multiple deadlines and the difficult day job, I’ve got a book coming out in a little over four months. And while I am over the moon excited, am I ready? Absolutely not. 

Saturday I spent the day with my CTRWA peeps and listened to Kristan Higgins give a great talk about how to prepare for a book launch. I listened to every word which is hard for me because I have severe case of self diagnosed ADD but I had trouble absorbing everything because the entire time I kept thinking oh S#@t I’m not ready. I’m never going to be ready. Book seller letters, and authors assistants and giveaways and swag and book signings and public speaking and workshops and blog tours and Facebook and Twitter and Goodreads and websites and newsletters and put me out of my misery.

I went home that night sobbing with all of that stuff swimming in my head. I think I feel the way all writers feel. If I can just get my book into the public’s hand they’ll like it, some will hate it, but a lot will like it. But how can I do that? I know realistically I can’t do it all. I don’t have money to hire an author’s assistant or to buy really cute swag.  There is no way in hell I’m going to be able to put together and manage a street team. I have no back list to give away, no legion of fans that I can ask to spread the word about me.

But instead of thinking about all the things I can’t do I started to think about the things I can do.

I can continue to write good books. Before anything else I will focus on this. I write because  I feel compelled to not because I need or want to.

I can update my Facebook fan page and Twitter daily. I sometimes have trouble with this. I can’t talk about my day job, or bitch about my mother. I don’t have any kids to tell cute stories about. I don’t have a cute boxing trainer that I can pant over. Hell, I don’t even have a pet, so I sometimes wonder if what I have to say is good enough. (I don’t mean to toot my own horn but I think I’m pretty damn engaging.) Check me out here.

I can spend my limited advertising money wisely. In DANGEROUS CURVES AHEAD my heroine is a wicked funny, ultra curvy fashion blogger/designer/shop owner. And if she were a real person she would be all over Full Figured Fashion week which is taking place in NYC June 17-21st.( PS I’m looking for some women to hit the sample sale with, if anybody is interested.) I’m researching taking out an ad in their program. Even if it doesn’t reflect in direct sales, I can get my name out there and let girls like me know I write books about girls like them. I can also take out targeted ads on Facebook and GoodReads without having to spend much of my hard earned cash.

I can look like the super sexy successful author I want to be. I’m shedding some of this extra coat of winter fat. (9 pounds and counting). This also includes buying new outfits which is no real hardship for me.

I can attend conferences. Look out Atlanta here I come!

I can take care of myself. I can eat healthier. Sleep better. Drink more water and try to not let the stress take anymore of my hair out. Because without me there are no books to launch. We ALL need to take care of ourselves!

So what do you do? What do you think I should do to help with this book launch? Any and all comments are welcome. 

Why Don’t I Like This Book?

I haven’t been reading much lately. With multiple deadlines breathing down my neck I just don’t have the time to lose myself in a book. But a couple of weeks ago I picked up one of my favorite authors’ latest book. It was the second book in a series. I really liked the first. So when I found out the this second book had been release I was so excited. I glanced at the reviews on Amazon. I saw all the 5 stars it was given on Goodreads. When I dived in I was expecting a really great read. But the greatness never came. Page after page I read and while the voice of the writer kept me interested I never lost myself in the book. I never fell in love with the characters. It was taking me days and days to get through it when I usually read a book in a single day or two at the most.But I kept thinking back to all those glowing reviews and those 5 star ratings. The good part must be coming, I thought. There must be something that is going to make this book stay with me. But it never came.

And then I did something that I had never done. I stopped reading it. I got to the last chapter and I stopped reading. It was a romance novel. I knew how it was going to end. I stopped reading because the author annoyed me. The heroine had gone out of her way to spectacularly save the hero and the hero still let her go. I just didn’t see the point of it. They had their dark moment, said their I LOVE YOUS, why extend the book? It sure as hell didn’t make it any better. When I told my friend this she gasped. “How could you stop reading so close to the end? How could you not finish?”

I was mad. That’s how. I felt let down. Confused too. Why didn’t I like this book? What was everybody seeing that I didn’t? I couldn’t get through Fifty Shades of Grey either. Couldn’t get past the third page of that. I not saying that the writing of this book was anywhere near that one, but somehow I found myself in the minority then too.

Maybe I wasn’t in the right mood or maybe I had higher expectations because my reading time is so precious. I don’t know. I just didn’t feel the same way as everybody else.

Has that happened to you? Want to tell me about it?

My Experience With Writing Contests

I’m not normally a huge fan of contests. For myself that is. Some people swear by them. Entering dozens upon dozens of them. Spending hundreds of dollars. I entered exactly two contests. Which both left me feeling luke warm about the process. Why? I didn’t get the feedback that I expected or I got no feedback at all. It’s very frustrating to be a new writer, desperate to learn the craft, wanting to be published so bad you can taste it. We enter these contests to learn from our mistakes, to get better and hopefully to get our work in front of editor and agents. We don’t shell out our hard earned cash for nothing.

I felt like I got nothing. One set of pretty good scores, the others just middle of the road or low with no explanation. I knew I had something. I just needed a little hint to steer me into the right direction. So when I judged my chapter’s contest  this year I wanted to make sure other writers didn’t have the experience that I had.

There was one entry I hated. HATED. I hated the characters, the premise. But besides those personal taste things, the writing technically wasn’t good. The pacing was slow, there was no discernible plot,too many POV switches, and head hopping (Very few authors can get away with head hopping. Very, very few.) I had to give low scores. I felt uncomfortable doing it, but I had to. I also explained in detail what I thought the author could fix, but I knew that when he or she opened those scores they were going to have a hard time coming to terms with them.

Then I read two really good entries. One of them was AMAZING. I was glued to every word.  I felt like I knew the characters. I felt like I was in the room with them and when it was over I found myself disappointed because I would never know how it would end. I gave that one high scores. 9s and 10s. I raved about this author’s entry in my comments and when the scores came out she sent me an email to thank me. We exchanged a few emails and through the process I learned that she received a really low score. I was floored. How could somebody dislike what I thought was so brilliant.

I learned some lessons that I would like to share with you.

Take scores from contests with a grain of salt. What one might hate, somebody else might love. 

Don’t let one bad score discourage you from doing what you love.

Take what you can from the feedback and move on.

And most importantly keep on trucking.

What have you learned from contests?

Why Don’t You Cooperate?

Hi, all. Suze here. Welcome!

A couple of weeks ago, I learned a new word! And I’m about to use it in a sentence.

If you want to succeed in the writing business, don’t be afraid of cooperatition.

What’s cooperatition, you ask? Well, clearly it’s an amalgam of cooperation and competition. I’m crossing the border into Jennifer Fusco/Market or Die territory, here. The theory is that if two individuals/businesses are providing the same or substantially similar services, if they work together both will benefit–even if they are in competition with each other for the same customers. Ever hear the expression A rising tide lifts all ships? Same principle. Need a movie reference to understand it better? How about Miracle on 34th Street, when Mr. Macy and Mr. Gimbel send customers to each other’s store if their own doesn’t carry a requested item? Good will abounds and sales go through the roof. As Charlie Sheen might say: Winning!

Make no mistake: Writers are in competition with each other. But it’s much more subtle than, say, the rivalry between Pepsi and Coke or Microsoft and Apple. Writers compete with each other for spots on a publisher’s roster, for the attention of an agent, and for readers who have only so much time and so much money to spend on books.

But readers are the most wonderful kind of repeat consumers. They don’t buy/read just one book a year. And if readers see that an author promotes other authors and behaves professionally and enthusiastically toward them, they will think better of the writer for being a decent person who loves her craft. Theoretically, that translates into sales. As a consumer, I don’t buy products from jerks if I can possibly help it. And that goes for books and authors too!

Here are some ideas for practicing cooperatition with other authors with whom you share a readership (or potential readership):

1. Partner with someone. Example: Kristan Higgins and Jill Shalvis and their Facebook Man Wars. If you’re not familiar with Man Wars, check out these two authors on Facebook–once a week or so they choose a theme (men in uniform, Australian guys), post pictures of the hottest possible guys, and write funny, sexy captions. And they’re usually zinging each other in a friendly way. This technique promotes their brand (romance and hot guys) and engages readers with new content all day long–with nary a sales promotion in sight.
2. Promote other authors–especially those with products similar to yours.  Offer congratulations on Facebook and Twitter when a colleague hits a bestseller list or releases a new book. Leave positive reviews on Amazon, Barnes and Noble, and Goodreads. Hopefully, they’ll do the same for you. Even if they don’t, you’ve still put a lot of Macy’s/Gimbel’s-style goodwill out into the universe–and the universe tends to notice things like that.
3. Assemble a group of authors into a partnership that is about more than sales. Example: Jungle Red Writers bills itself as “The View. With bodies.” These mystery/crime fiction authors often talk about timely topics in a panel-type format. I think it’s brilliant! Yes, their books are mentioned, and links abound, but there is plenty of non-sales content as well. Another example: Mystery Lovers’ Kitchen. These writers of culinary mysteries post new recipes every day–again, promoting their brand and providing new content for readers. And if readers like one author’s books, they’ll probably like–and buy–the others.

What do you think about cooperatition? Do you have any ideas to add to the list above? We’d love to hear about it!

How to Choose a Writer’s Conference

PJ here, happy to be on the East coast and back in my own bed…ahhhh. After doing this writing thing for a while, I’ve been to quite a few writer’s conferences, and I wanted to share my experience on how to choose the “right” conference for you. If you belong to RWA or a similar writer’s organization, you probably get inundated with lots of options. Here are a few things to think about.

Location/Accommodations: Check out the hotel venue and make sure the location is some place you’d like to stay for a few days. A bad night’s sleep, disappointing food, or poor quality hospitality can really put a damper on your stay. It’s worth visiting the hotel’s website and checking out their reviews. Make plans for car rental and recreational activities ahead of time so you don’t get there with hopes of visiting a locale on your “down time” only to find that you can’t get a car rental on short notice or the place you want to visit is closed. Although you are going for business, one of the perks of traveling is enjoying the sights along the way. Also, check to see what is around your hotel. Are there local restaurants and shopping within walking distance? Is there a gym? An indoor pool? Are you next to a train yard, airport, or in a bad section of the city? Some of these things may not be important to you, but if they are, make sure you know what you are paying for ahead of time. Scope out your hotel and surrounding area on Google maps.

Price: Is it affordable and worth the money for what you are getting? Are meals included? Are the speakers well known and knowledgeable? Is it worth your time, money, and effort? Remember to consider your loss of income while you’re away from your day job, and factor in any accrued costs such as wardrobe, entertainment, and additional travel fees (taxis, trains, buses etc.). Remember to save all receipts for tax purposes.

Focus of conference: Does the conference offer workshops that will help you further your career goals? If you are a newer writer, make sure there are craft workshops geared to what you’d like to learn. If you are seeking publication, are there opportunities to meet with agents and editors to pitch your story? Agent and editor panels offer a great opportunity to ask questions, find out what they are looking for, and hear the latest about the industry from publishing professionals. If you are a published author, do they offer promotion, marketing, and business oriented workshops? Interested in self-pubbing? Do they offer the most updated information available in this rapidly growing and changing aspect of the industry? If you are participating in a book signing, how successful have previous years been and how many readers can you expect to see? Shipping books is expensive, so ask for clear answers about realistic expectations. My experience is that print books don’t sell all that well at conferences and I rarely recoup the cost of shipping. I can see e-books being the way to go for future signings.

Networking: Conferences are a wonderful place to meet like-minded individuals and make professional contacts that you might never have the chance to meet otherwise. Don’t stalk the agents and editors but research them and know who you’d like to make a connection with. Make the effort to sit next to them at lunch or dinner (or in the bar). Be ready to talk intelligently about your work. Be prepared with a SHORT pitch of your WIP. Create a one or two sentence summary (log line) of what your story is about. The most common question asked at conferences is “What do you write?” The second most common question is “What is your story about?” Have an answer memorized and ready, and confidently smile as you give them your brief spiel. Don’t monopolize their time, but use the time wisely. If you get tongue tied and start rambling or their eyes begin to glaze over, stop talking and ask them a question about something unrelated. Where are you from? Are you a writer, too? Do you love baseball, zumba, pole dancing? Something that will put you at ease and take the heat off of you until you can collect yourself and get comfortable enough not to sound like an idiot. These are just people, but they are professionals and are there to FIND YOU! Respect their time, but don’t let your fear stop you from putting yourself out there.

Quality Speakers: I cannot stress this enough. Do some research on the speakers. What are their publishing/professional credentials? Just because they are there, doesn’t mean they are interesting, entertaining, or an expert in their field. Have they done this workshop before? How many times? Ask around to other writers and check out the websites of your presenters. If they don’t have a professional website that is engaging and informative, it might be an indicator that they aren’t all that well organized.

Organization: If you’ve ever participated in organizing a conference, you know about the gazillion moving parts and the army of people it takes to put on a seamless production. Of course there are always things that go wrong or details that get missed, but overall, organizers want it to be a good experience for everyone and they want attendees to return year after year to support the effort. If they don’t return e-mails, or answer your questions clearly up front, chances are the conference won’t be much better organized than the individuals running it. Conferences are generally a way for organizations to make money to support writers and their endeavors, so organizers (who are all volunteers, so be patient and kind to these people) are invested in making your conference experience successful. If there are suggestions you have for improvements, be sure to share them with conference organizers.

Image courtesy of Petr Kratochvil http://www.publicdomainpictures.net/view-image.php?image=3421&picture=apples-and-pears

And last but not least, Food: You might have to contact the conference organizers for this information, but it’s worth asking about the menu ahead of time. If you have dietary restrictions or just want to make sure that some healthy selections are available, it’s worth the added effort to ensure that your needs are known ahead of time. You also have the option of doing a bit of shopping when you get settled in and stocking your hotel room refrigerator (make sure one is available in your room when you book your reservation) with fruit, yogurt, water, etc. so you can avoid the breakfast buffets that offer all those yummy bagels, pastries, muffins, and such. Will there be adequate chocolate selection at breaks? Just sayin’.

Unlocked Secret: Do your research, guys. There are enough choices for quality conferences around the country and your educational dollars are valuable, so make them count and get the most of your experience.

I hope to see you all at the RWA National convention in Atlanta this summer. It’s shaping up to be a fabulous time!

Any other tips for our readers to help them find a quality conference? What has been your favorite conference experience? Any funny experiences you’d like to share from the “trenches”?

Et Tu, Brute. Betrayal and Other Fun Topics.

Ahh, the Ides of March. Casey here, wishing you a happy Friday.

Unless of course, your name is Julius Caesar and the year is 44 BC, then you’re about to have a really bad March 15th. To the Romans, the ides didn’t mean anything sinister. The ides simply marked the middle of each month. That’s it.

But thanks to Brutus and the Roman Senate, it has come to symbolize the date of Caesar’s assasination – beware the Ides of March!

History is loaded with betrayals: Brutus, Benedict Arnold, and whoever ratted out the Spartans at the Battle of Thermopylea. In literature, betrayal is commonly used as a plot twist. I’ve used it once or twice.

Betrayal exists in so many forms: Family backstabbing, corporate greed, an apprentice killing the master, friendships gone sour, betraying your country. Even betraying your own ideals. So many flavors and all of them leave a bitter taste in the mouth.

But, as a writer, you should never be afraid to go down the dark path. Traitors have a place in fiction. In romance, it can drive the hero and heroine apart. It can also bring them back together. Depending on the genre, your protagonist can be ruined by betrayal or uplifted (or both!).

Case in point – Casey’s Top Fictional Betrayers (not in any special order):

1. Fredo Corleone - The Godfather by Mario Puzo. When Michael Corleone realizes that his own brother has betrayed him, it’s heartbreaking and ultimately destroys what little soul Michael has left. In true mafia style, Fredo ends up swimming with the fishes – the execution ordered by his brother Michael.

2. Edmund Pevensie -The Lion, The Witch, and The Wadrobe by C. S. Lewis. If you think only mafia families can backstab each other – wrong! Even children’s stories aren’t immune to betrayers. Edmund is influenced by the White Witch (and her endless supply of Turkish Delight) and he betrays his siblings. But with Aslan’s intervention, not all is lost. Edmund redeems himself and joins Peter, Susan and Lucy to defeat the witch.

3. Anakin Skywalker - The Stars Wars Saga by George Lucas. Anakin doesn’t listen to Yoda and lets his anger consume him. Yes, he betrays the Jedi Order and the Republic, but Anakin majorly betrays himself by turning his back on his master and training. Not to mention, that whole “I am your father” incident and literallay lopping off his own son’s hand!

4. Mr. Wickham - Pride and Prejudice by Jane Austen. The most odious of betrayers, Mr. Wickham uses falsehoods under the guise of friendship to lure Elizabeth Bennet into seriously misjudging Mr. Darcy. And then he runs off with Lydia Bennet, the youngest daughter!

5. Thomas Barrow and Sara O’Brien - Downtown Abbey by Julian Fellowes. These two are the dynamic duo of backstabbing. Not only do they cause subtle and sometimes serious mayhem (hello bar of soap!) both upstairs and downstairs, in season three, they embark on backstabbing each other!

6. Saruman the White – The Lord of the Rings by J.R.R Tolkien. Nothing stings worse than discovering that the leader of your wizard order is a turncoat. Poor Gandalf. Not even he can foresee what’s about to happen. After discovering that the One Ring has resurfaced, Gandalf consults the one person he thinks he can trust. Instead he’s imprisoned by Saruman leaving Frodo and company in dire straits.

Imagine how different each of these stories would have been without these acts of betrayal. In every case, the traitor has served a purpose, providing a lesson to the hero/heroine and the reader (or viewer) as well.

So remember, while it may be uncomfortable to contemplate, betrayal is a writer’s best friend.

What say you? Who are your top choices for fictional betrayers? And have you used betrayal in your stories?

What John Said

I’m going to tell you what John said. John is the calm waters next to my endlessly churning hurricane.. John is orderly, logical and precise. I am way on the opposite side of that. So John keeps me sane during these crazy publishing times.

Arguably, every time in publishing has been a little crazy, so this is one thing John said to me when I was suffering my huge writer’s block year. He said, books get written one page at time (a journey of a thousand words?). One page at a time. If I didn’t write that one page, there wouldn’t be a page 2,3 or even page three hundred.

That was very comforting. I mean, who can’t write one page, even if it’s gibberish. But you know this writing secret – whatever you write, it’s not gibberish and it may be the start something wonderful at some point.

Or it may not. But putting words on paper is so satisfying in and of itself that it’s worth galvanizing yourself to write that one page even when you think the water’s muddy and the well is dry.

And, as it turns out, the well is never dry. The creative waters may scrape the rocks at times, but — as John said when I was reluctant to use an idea in my current WIP that I was saving for another book — there’s always another idea. Seriously. He said he’d rarely seen me run out of ideas.

Really. There IS always another idea. Aren’t our antennae always out, searching for the snippet of conversation that could be a head-snapping opening line, the thing in the news from which we can invent a high concept novel, the personal experience we can spin into an inspirational romance?

Aren’t you talking to people everywhere, listening to conversations, asking questions, reading everything, studying your husband who has had your number all the years you’ve been married?

Aren’t you trying really hard to fit a plot around the fire at the pharmacy? Are you writing everything down?

If you had to plot in 100 page chunks? That’s daunting. One page — focusing on what the reader needs to know? No problem. Only that and nothing more. Okay, got it done. Oh wait, you have to keep going — you can’t stop there. You seeded the first page with all kinds of things you need to carry forward. Keep going — page two and three, four, five … and then — maybe — the magic starts to happen.

Or not. But you’ve got a nugget you can save for another day, another plot, another WIP.
Remember what John said: you write it one page at a time, and there IS always another idea.

Thea Devine really loves John. She’s working on her next erotic contemporary romance.