Are You a Confident Writer?

When I first sat down to write the book that was to become DANGEROUS CURVES AHEAD I told myself that that was the book I was going to get published. Come hell or high water. I had been writing for five years at that point. I went from sucktastic to pretty good. I had written enough practice books to know my major flaws. And when I first set my fingers to the keys I wrote with wild abandon. I didn’t think about all the rules so many us think about. Am I showing, not tell? Will people get this joke? Will anybody like it? I just wrote. I threw it up so to speak. I wrote the hero I wanted to date. I wrote the heroine I wanted to be friends with. I wrote a story I wanted to read.  And for the first time I wrote without the worry.

I look at some writers, and it doesn’t matter how long they have been at it, two weeks or twenty years, and I see fear. Will my critique group like this? Is this good enough to snag an agent? Will people understand me? And then they go back and rewrite and doubt and go back some more and get themselves stuck. Crippled almost. And they never finish the damn book. Or if they do finish it, part of it always plagues them. In the back of their minds they never think it’s good enough. They aren’t confident in their voice.

You always hear editors and agents talk about finding writers with a great voice. You know, that unique style that makes your writing stand out from all the other writers. Writing without confidence is like writing without voice. Think of your writing almost like you think about public speaking. Is anybody going to get your message if they can’t hear your voice?

Good public speakers, they know their audience, they never let their fear show, they are not afraid to inject who they are into what they are saying, they get to the point. And if they aren’t confident they fake it like they are. And when they’re finished they leave their audience wanting more.

Isn’t that a lot like writing?

Just like an audience listening to a speech, a reader can tell when when a writer has lost their voice.

We all have self-doubt. We all have those moments when we want to chuck our computers out of the window. We all have moments when we get stuck, when we think it would be easier just to quit.  But confident writers don’t let a little case of the doubty blues  get in the way of the stories they want to tell. A confident writer doesn’t lose the essence of who they are.

So how to become confident? That’s a good question. I think some people are born with it. For others it’s a process. But here’s my advice.

1.  Write what you know.  Not what’s hot. I’ve seen so many authors jump on the New Adult trend because they heard it was selling. That rarely works out for anybody.
2. Don’t let too many people read what you’re working on. It’s like my mother always says “Opinions are like assholes. Everyone has one and everybody thinks everybody else’s stinks.” I find too many opinions on my work confusing and annoying.
3.  Don’t let others opinions of your work affect how you feel about it. Constructive criticism is needed and often times it’s crucial, but nobody knows it all. If you think you wrote a good story then you probably wrote a good story. I  personally hate them little whiny sparkly TWILIGHT kids. You think Stephanie Meyer cares? She would be dumb if she did.
4. Write with conviction. When you write don’t go into wishing and hoping and praying that it’s going to sell. Write like you know it’s going to sell, like it’s the most kickass thing anybody has ever written. (Even if it’s not.) I believe that good things come to people who expect good things to come to them.
5. Like what you write. If you hate the story you’re telling then it’s probably not the story you should tell. It’s okay to hop around until you find your voice. Because if you keep trying one day you’ll find it.

So, who else has advice to share on building confidence? Any and all comment are welcome. 

There’s a Story Behind This

My father turned sixty this week. Sixty. I can’t believe it. My daddy, who to me never ages, turned sixty years old. It’s hard for me to wrap my head around this. He’s a grandfather. And every time I hear that word in my parent’s home I automatically think of my own grandfather. Not him. It doesn’t seem right that we are all getting so damn old.

But still we had to celebrate his life and what better way than to spend the day in NYC. My nineteen year old cousin was visiting from Georgia and had never been to Manhattan. So we all decided to give her the tourist treatment. Times Square. Rockerfeller Plaza. I love New York tee shirts. Food that comes off a cart.

Even though I’m a native New Yorker. Even though I had been to Manhattan more times than I can count it was so interesting to see the city through another’s eyes. My cousin is a sweet southern girl. She isn’t jaded and when she saw the huge buildings and the masses of people her eyes lit up like fireworks on the fourth of July.

And then this happened. 

The oddest moment of my life.

Yup, that. That’s my father and two of my brothers in a picture with Naked Cowgirl, Sandy Kane.

How did my brothers and father come to be in the picture with her? Well, I’m still confused by it myself. My youngest brother spotted the lovely and talented Ms. Kane first. (It figures. That kid can spot a pair of boobies a mile away.) In a stage whisper he says, “Sugar, turn around.” I do and of course I get an eye full. I have a horrible poker face. I’m sure my eyes widened and my mouth dropped. I blindly reached over and tapped my mother on her shoulder. She sees what I’m gawking at. “What in the world…” escapes from her mouth.

That seemed to be Ms. Kane’s invitation to walk over. She asked us if we wanted a picture, to which six of us decline. But my father, my straightlaced, never had a sip of alcohol in his life, former hardened NYPD police officer father says, “Hold up. We’re getting a picture.”

To say we were surprised is an understatement. But there he was pushing my brothers toward Ms. Kane, who seems delighted that she is going to have her picture taken. At first my father wasn’t going to be in the picture, but my mother, his wife of thirty-six years told him he’s getting in that picture to. It was his birthday. He had to.

And that’s how that picture came about.  It totally made my father’s day. But what we didn’t know at the time was that Ms. Kane is a celebrity. (How could she not be?) The sixty year old is a former stripper, FIT student and public access host, who was featured on America’s Got Talent. She was also sued by THE NAKED COWBOY. For infringing on his schtick.

The writer in me knows that there is some kind of great story behind Sandy Kane’s life. I hope one day she sits down and tells it.

And as for my sweet southern girl cousin. She asked us to get her out of there. New York City was just too much for her.

What about you? Do you have any New York tales?

Writing Short: A lesson on novella writing

Hello there, Sugar here. I recently finished writing my first holiday novella. (Look out for Have Yourself a Curvy Little Christmas sometime in the late fall.) After the initial excitement of being asked to write for my publisher again, I panicked a little. I write single titles. Long single titles. Dangerous Curves Ahead weighs in at over one hundred thousand words. I’ve never written anything under ninety thousand words.

But they were asking me to tell a story in twenty-five thousand words. TWENTY-FIVE THOUSAND WORDS. Gulp. How the hell was I going to pull that off? But you know what? I did. Okay so maybe I went over by a few thousand, but I manage to tell a story using a quarter of the words I normally do.

How did I do it? I kept these five things in mind when I was writing.

1. KISS: Keep it Simple Stupid. Your idea should be simple and solid.

SIMPLE: A man reunites with the woman who left him at the alter. Together they rediscover their love for each other and learn to put the past behind them.

NOT SIMPLE : A man reunites with the woman who left him at the alter. He learns she was abducted by aliens who plan to take over the world by impregnating all brunettes under the age of forty. Only to find that her pregnancy didn’t take because she half mutant.   Together they travel through time and space in an effort to stop the world from being taken over and to learn more about her secret origins.

2. Cut out all the descriptive stuff.

Yes, please do give us a clue to the setting, but don’t describe the lushness of the trees and the greenness of the grass and how the hot summer wind blows across the field and gently rustles the curtains.

In other words tell the damn story.

3. The less subplot the better.

You really don’t need to introduce us to a cast of thousands. We don’t need to know all the townspeople and their historys, foibles and quirks. We don’t need to know that Mrs. Peasly, your hero’s favorite teacher, is going to lose her house and needs a million dollars to save it. Focus on the main conflict at hand.

4. Limit backstory.

Backstory can be an important tool to let the reader know your hero’s motivation, but don’t overdo it. Sprinkle, don’t dump.  

5. Cut. Cut. Cut.

Don’t be afraid to chop out passages or entire scenes. Think about every word you write. Ask yourself, “Is this necessary to tell my story?” And if the answer is no get rid of it.

That’s all I’ve got, so I’m turning it over to you, my writer friends. What advice would you give on how to write short? Any and all comments are welcome! 

Are you repeating yourself?

PJ here. I love the editing process. Well…love might be too strong a word. What I do love, though, is learning my strengths and weaknesses as a writer, and layering my story with the fine brush strokes that hopefully make the characters leap off the page and the plot keep readers riveted.

As I’m reading through a printed copy of WESTERN DESERT, my editor’s voice rings in my ear.

Coming June 24, 2013!

She has pointed out a specific weakness many times, but I couldn’t see it for myself until I read it on a printed page. There are just some things my eyes don’t pick up on the computer screen. In my case, it’s the glaringly repetitious -ing sentence structure that results in lots of “telling”. It seems I have a habit of structuring my sentences as follows:

We stopped only when necessary and took turns driving, making good time and closing in on our destination.

All in all, it’s not a horrible sentence, but repeating this pattern frequently can really bog down the writing. This is clearly a case of “telling”–beginning with a subject/verb construction, using –ing words, and making it a weak sentence that is unnecessarily long. Ooops! I did it again! Did you catch it? I’ve used two phrases connected by a comma, requiring me to use the gerund form of the verb in the second phrase. Darn it! I did it yet again! I can’t seem to help myself, LOL. Believe me, it was an eye opener when I finally saw it. Hopefully, I’ve taken care of the problem through most of the manuscript. If not, I’m certain my second round with an editor will catch it.

As for strengths, I’ve been told I have a knack for description. Here’s an example of using description to ground the reader in place and to paint a picture of the scene.

In the distance the Western mountain ranges turned a deep purple under clouds of smoke from wild-fires gone unmanaged. The coastal winds from the ocean beyond carried the wayward flames toward the desert, but with nothing but sand and cactus, they would die of starvation long before they reached us or the city of Las Vegas.

Although this could be considered telling, in just a few sentences you get a clear picture of the environment and lots of information about what’s happening. Like most writers, I struggle with brevity—the art of saying more with fewer words—but I’m definitely improving.

Do you know your strengths and weaknesses? Do you have any particularly stubborn habits that bog down your writing?

But wait …!

This is the TVholic’s strategy for sagging middles

Hi everyone. Thea here today, but really, as you read this, I’ll be in KC at the RT Booklovers’ Convention and not in my usual position, rooted at the end of the couch, with tv on and WIP at the ready. So forgive me if I’m not posting an immediate response. (Full report on the conference to come, of course.)

So I want to talk about sagging middles — the kind you delete with a key stroke (oh, if only — ). I’ve said during workshops that “what if” is your single most powerful writing tool. Anything can happen in “what if.” It’s no-commitment plotting. It frees your mind. You can let go, make lists, let them take you to the most improbable plot places.

But wait …! It would be even more productive if at the moment when the plot seems to be chugging along, you stop yourself with those words. But wait …! The juicy incentive used by telemarketers to make you buy (can you tell I watch too much tv?). But wait — maybe your reader isn’t buying a smooth, unfurrowed plotline. Maybe your reader is waiting for something juicy to happen.

But wait …! What if your characters are afraid of losing something? (Love, fame, fortune, respect, family secrets, inheritance, friendship …) Make them lose it. Ask what lengths they’ll go to to get it back. What they’re willing to risk.

Because the more they risk, the more that stands in their way, the more conflict, the greater desire they’ll have (at greater cost) to reach their goal, and so, the richer the plot.

In the simplest terms: Get them in trouble and keep them in trouble. Keep throwing in obstacles, complications, repercussions and don’t let up.

But wait …! What if you don’t know exactly where the plot is going?

Write the NYTimes log-line. That hones it down nicely to two or three lines: Danny Jones has everything he wants, until a secret from his past threatens everything.

Or write the cover copy. That will focus you on the set-up, conflict, and what drives the plot.

But wait …! What if it’s still not working?

Make the problem personal and current. Someone is out to destroy Danny Jones and make sure he never is elected to anything.

Give the protagonist two villains and a moral choice. A childhood friend and his own brother are separately threatening Danny Jones. No matter what decision he makes, he will lose everything, including his friend and his brother.

Up the ante. Not only does a secret from his past
threaten Danny Jones personally, but also his burgeoning political career, his marriage, and his inheritance from a famous relative which comes along with a list of moral stipulations he may not be able to meet.

Add suspense by turning “what if” into “if only.” What could his enemy have against him? If only, all those years ago, he hadn’t — but then there was this other moment when — But nobody knew about that, did they?

Give your protagonist a moral dilemma that forces her to compromise either her beliefs or her values. If Danny Jones is up front about his past, then he will never ever be able to run for office, he’ll lose the love of his life, the inheritance from his famous relative, and he’ll never be able to see his children again.

Try reversing things. Make the hero the heroine and vice versa. Danny is Danielle, a powerful CEO who is courting politics and who has a secret she thought was buried deep in the past. Lovers? Liars? Friends? Family? Who is plotting to betray her?

Keep the reader guessing. For Danielle any of those people associated with her could be her enemy; any one of them can say or do something that would lead her to believe she is on the verge of losing everything. She has too much at stake. She has to be careful not to rock the boat. What is she going to do? (I love this; I think it works even better!)

But wait …!

But I can’t. I have to go. But you can. What juicy incentives would you add to the list to entice your readers to keep reading?

Thea Devine is currently working on a new erotic contemporary romance, and enjoying the release of five of her backlist titles, Reckless Desire, Ecstasy’s Hostage, Relentless Passion, Montana Mistress and Angel Eyes in Kindle editions.

Blogs to Help Enhance your Work by Katy Lee

Writing fiction is more than getting your character from point A to point B. Your character needs to experience the world and everything in it just as we do in our everyday lives. Our days are filled with intrusions like weather and sickness, but there are also things in the world that have the ability to cultivate us like the arts and architecture around us…most times when we’re not even looking for it.

Now I could spend a lifetime reading and studying the things in our world just so I can write them into my stories, but if I did I’d never get anything written. As much as I would love to spend my days at the library, or better yet, traveling the world to experience everything in it, it’s just not possible. But I also can’t neglect the fact that these things exist in my life and in the lives of my characters. So what do I do?

Well, while I wait for my cruise tickets to come in the mail, I have found a group of blogs that offer little tidbits of information a little at a time. Ideas and information that I can file away to use in moments where my stories are flat and are in need of some excitement or detail.

So today I wanted to share some of these go-to blogs that help enhance my work. I hope there is something in here for you, too!

1)      http://www.redwoodsmedicaledge.com/

The Redwood’s Medical Edge Blog is medical facts for your fiction. Jordyn Redwood, a nurse by day, author by night, designed her site to help both historical and contemporary authors learn methods to write medically accurate fiction. She fields medical questions from followers, analyzes medical scenes, and posts on topics that can increase the tension and conflict in any story. No one person can be an expert in all things so she also hosts medical experts in other areas: EMS and obstetrics to name a few. Historical authors who have done research in a particular medical area such as civil war medicine are also featured. You want to know the protocol of an accident with injuries, or an illness a baby could have but go undetected? Jordyn is your woman.

2)      http://gailingis.com/wordpress/

Gail Ingis is known as a “Renaissance Woman” for her varied accomplishments. She is a professor of history of architecture & interior design, photographer, artist juror, writer, design critic, and founder of the nationally accredited Interior Design Institute. On any given day, her blog can be about how lighting affects a room, drinking coffee in a café in Portugal, or a description of a Victorian era chair. You never know when your character might need to sit in one. Whatever the topic may be, Gail’s information can bring a flare for the exotic into your stories.

3)      http://www.dailywritingtips.com/

Not just for writers. Whether you are an attorney, manager or student, writing skills are essential to your success. The rise of the information age – with the proliferation of e-mails, blogs and social networks – makes the ability to write clear, correct English more important than ever. (See my blog from last week about good writing here.) Daily Writing Tips is about that. Every day they send out a grammar, spelling, punctuation or vocabulary tip. And we can all use extra tips.

4)      http://www.romancingthepalate.com/

Finding a passion for food in every love story is R.L. Syme’s motto for her blog. I took a food class with Rebecca Lynn last year and she helped me learn how to use food like another character in my stories. She brought life to cooking and eating and encouraged us to incorporate the feelings we experienced into our books, so our readers could feel them, too.  *This blog is in the process of being changed, so not much is going on there these days. I’m looking forward to her updated site soon.

Until then, I recently found this one and it has the same premise:

5)      http://platedromance.wordpress.com/

Romance on the Plate: Taste the Emotions…Feel the Food. Here is a quote from the site to show how food helps to bring your character to life:

“He could not control his curiosity; he could smell the delicious aroma of caramelizing onions wafting from the copper vessel that was fired up on the stove. He stood upon a chair in the kitchen and watched as his mother evoked the magic of food……”

I feel like I am standing on that chair and inhaling right along with the child. Which is what we want to do for our readers, so they can get a taste, too.

The Unlocked Secret: Experience is key, but if you can’t experience it yourself, find a source that has. It will make your writing authentic. Check these sites out for ways to enhance your writing. If not these, I’m sure you can search for sites that meet your genre and style.

Question: Do you have a go-to blog or website for expertise or vicarious experience? Please share in the comments below.

And as always, thank you for your Tweets and Shares.

Writer Beware (How much should you spend on learning your craft?)

Hi there, Sugar here.  So I have a secret. Before I sold DANGEROUS CURVES AHEAD to St. Martin’s Press I never spent a dime on learning how to write. Oh I joined the RWA and my local chapter. I went to the monthly meetings, I read  a lot of the writers I admired. I found good critique partners and beta readers. But I never paid for a class, bought a book or shelled out hundreds of dollars on workshops. Am I that good of a writer? Well, I would like to think so, but the truth is, I’m not. I know I can be better. I know that there is always chance for growth. But do I want to pay thousands for a chance to grow. Absolutely not.

I don’t spend a ton of time surfing Twitter but when I do, it seems that somebody is always trying to sell writers something. Classes, books, retreats, all day workshops. They all promise to make your characters stronger, your dialogue wittier, your sex scenes filled with more… Umph. But with all that stuff out there how do you know what’s worthy of spending your hard earned cash on.

So I put together a little list of things you should think about before you shell out your money.

1. Look carefully at who is giving the workshop/ writing the book/ selling the product. Do they have any credibility?  If they are teaching about craft, have they ever sold a book to a major publisher? Have they taught before? Have you heard good things about them?
2. For self pubbers. If they are claiming that they are successful and can teach you how to be, can they prove it? Are they willing to share numbers? Secrets?
3. Can you get what they are selling else where for free? There are a lot of blogs out, A LOT, for writers by writers where you can get good info for free. Read them.
4. Can you use your friends?  Just before I was about to submit my manuscript I thought about paying to have a professional critique it, but then I saw the prices. They ranged anywhere from $300-$800. Way too rich for my blood. Plus it’s only one person’s opinion. What one person might love another might hate. So use your friends when you can. They are readers too.
5. Have you checked out writer’s forums like Absolute Water Cooler or Query Tracker. You can learn much from reading the posts on there. 

Sure there are classes and books out there that are well worth it. But the best way to get better at writing is to get your butt in the chair and write. The more you write the better you get. I promise. It works. I’m proof.

Now it’s your turn. What do you think about before spending your money on craft? And if I was going to spend some money, what books/ workshops/classes would you recommend?”

Does Good Writing Matter? by Katy Lee

I recently came across a survey titled, Does Good Writing Matter? The following are a few of the questions I answered. Would love to compare your answers with mine. Feel free to leave some, or all, in the comments below.

1)      Do you judge other people based on their writing?

Now before you throw your pencils at me, or your mouse as the case may be, I will say the word “judge” may be too harsh. Do I judge? No. Do I feel a writer loses credibility if they can’t express themselves well in writing? Yes. A person’s inexperience comes through in their writing and if they want to be taken seriously, whether in fiction or in nonfiction, accurate writing is a must. But like I said, I would not call it judging. I think a better term would be “to question.” Do I question a person’s validity based on their writing? Definitely.

2)      What writing mistakes bother you most?

The answers to choose from were: “Grammar/punctuation,” “word use,” “long, difficult sentences,” “vague purpose,” “poor logic.”

And my answer? Poor logic and vague purpose. A writer may lose credibility with inaccuracies in their writing, but I don’t let those bother me. I’ll most likely continue to read on, correcting mistakes as I go, but a lack of purpose and poor logic has me closing the book/article all together. For example, a few months back I had to judge a writing contest of published works. One book in particular was nearly painful for me to read because it lacked purpose. I squirmed in my comfy chair. I fidgeted and kept looking at how many pages I had left. My husband watched me from the couch. He said, “You’re not enjoying that book.” I was not surprised he could tell. Every sentence, every piece of dialogue, every scene needs to push the story along and show the purpose to the reader, and it needs to be logical, or they will close it up.

3)      Do you apply the same writing standards to social media?

This one was a tough one for me. With the 140 character limitations in Twitter, I think I have to be more understanding to errors in social media. Although, I have seen some great Tweets and Facebook statuses that are short, but full of impact without compromising intelligence. Then there are those posts that confuse “there, they’re and their.” (See question #1 for my response to those.)

I thought this was a great question given our social media world these days. It used to be that a person had to be credible in their field in order to write. These days, everyone has a soap box (or media outlet). Some might think that’s scary, but I still believe your intelligence, or lack there of, shines through even in 140 characters.

Either way, I’m interested in hearing your take on this one.

4)      What is your personal pet peeve in writing?

This is a question we ask many of our guests here at the Scribes, and I have learned so much from their responses. I had no idea some of my word choices bothered people. Now I do, and I don’t do them anymore. So, I am hoping if you don’t answer any of the other questions, you will at least answer this one. I know there is still so much for me to learn, so please share.

Now as for my personal pet peeve word. I would have to say the word “got.” It just jolts the flow of my reading. Also, “lightening vs. lightning.” One is to lighten your load. The other is a natural electric discharge in the atmosphere. The misuse of that word also gives me a jolt. <grin>

The Unlocked Secret: Today’s secret isn’t really a secret, but here it is anyway: Everyone’s a critic. Make every effort to put your best work out there. That means take the time to learn through classes and workshops, reading various works, and keeping your handy-dandy grammar book by your side at all times. And if you’re still unsure? That’s what editors are for.

So, have at it, Scriblings! Answer away, and remember as I said in question #1, I don’t judge.

And as always, thanks for your Tweets and Shares!

The Saga of Mr. Fern

Mr. Fern, who by then was raggedy, although he still had green fronds, sat discarded outside the teachers’ room door at the school where my husband teaches, and rather than let him be consigned to the garbage, John brought him home. For years, Mr. Fern sat by the sliders to the deck in the winter, and on the deck, summers, and regenerated and bloomed, and — I truly believe — begat a whole family of ferns that return every year, shooting up like alien pods, in my pachysandra patch.

So it was with great sorrow that two or three years ago, we watched as Mr. Fern deteriorated to the point where he had no new growth, his leaves shriveled, browned, became dessicated, and he died.
We put him in the back yard nevertheless, loath to leave him in the detritus that would be cleared away in the bi-annual garden clean-up. And there he sat for a summer, a winter, another summer, forlorn, dried up, leafless, lifeless …

And then one summer day, I saw a sliver of green poking out from the midst of the jungle of brown. One fully formed fern frond, child-size, fresh green, fresh life, a little miracle stretching out from the dirt and decay. No stopping him then. I began watering him. He pushed out more long stringy fingers which turned into an explosion of brand new fronds.

Mr. Fern is back. Why, how, from that mass of crinkly dead leaves, I’ll never understand. I thought he was truly gone, and then, suddenly, there he was. And now he sits in my cluttered dining room by the sliding doors, growing and flourishing every day.

It’s a lesson to all of us. Sometimes we feel hopeless, helpless, dry, dessicated, chewed up, beaten down
– like we couldn’t produce another word, even if it was the word “I” — and we just bury ourselves and let it all go.

Don’t let go. We’re writers. There’s always life in there, even if at times it seems like still life with no possibilities. All it needs is a little poke and prod. A book, a word, an overheard conversation, something in the news — and we green up, poke our way out of the dessication, and get going.

Because we have to. Because there are stories to tell and we can tell them. Because there are fictional lives to explore, and we can do justice to them. Because when you’re a writer, you’re never not writing, even if you think you’re not.

And, because we can.

Thea Devine is currently working on her next erotic contemporary romance. She’s pleased to announce that five of her early books, Reckless Desire, Ecstasy’s Hostage, Relentless Passion, Montana Mistress and Angel Eyes are now available in Kindle editions.

The Final Countdown (A Book Launch Story)

Hi there, Sugar here. And I have got a twitchy eye. Why? Because I’m stressed out. Forget about the multiple deadlines and the difficult day job, I’ve got a book coming out in a little over four months. And while I am over the moon excited, am I ready? Absolutely not. 

Saturday I spent the day with my CTRWA peeps and listened to Kristan Higgins give a great talk about how to prepare for a book launch. I listened to every word which is hard for me because I have severe case of self diagnosed ADD but I had trouble absorbing everything because the entire time I kept thinking oh S#@t I’m not ready. I’m never going to be ready. Book seller letters, and authors assistants and giveaways and swag and book signings and public speaking and workshops and blog tours and Facebook and Twitter and Goodreads and websites and newsletters and put me out of my misery.

I went home that night sobbing with all of that stuff swimming in my head. I think I feel the way all writers feel. If I can just get my book into the public’s hand they’ll like it, some will hate it, but a lot will like it. But how can I do that? I know realistically I can’t do it all. I don’t have money to hire an author’s assistant or to buy really cute swag.  There is no way in hell I’m going to be able to put together and manage a street team. I have no back list to give away, no legion of fans that I can ask to spread the word about me.

But instead of thinking about all the things I can’t do I started to think about the things I can do.

I can continue to write good books. Before anything else I will focus on this. I write because  I feel compelled to not because I need or want to.

I can update my Facebook fan page and Twitter daily. I sometimes have trouble with this. I can’t talk about my day job, or bitch about my mother. I don’t have any kids to tell cute stories about. I don’t have a cute boxing trainer that I can pant over. Hell, I don’t even have a pet, so I sometimes wonder if what I have to say is good enough. (I don’t mean to toot my own horn but I think I’m pretty damn engaging.) Check me out here.

I can spend my limited advertising money wisely. In DANGEROUS CURVES AHEAD my heroine is a wicked funny, ultra curvy fashion blogger/designer/shop owner. And if she were a real person she would be all over Full Figured Fashion week which is taking place in NYC June 17-21st.( PS I’m looking for some women to hit the sample sale with, if anybody is interested.) I’m researching taking out an ad in their program. Even if it doesn’t reflect in direct sales, I can get my name out there and let girls like me know I write books about girls like them. I can also take out targeted ads on Facebook and GoodReads without having to spend much of my hard earned cash.

I can look like the super sexy successful author I want to be. I’m shedding some of this extra coat of winter fat. (9 pounds and counting). This also includes buying new outfits which is no real hardship for me.

I can attend conferences. Look out Atlanta here I come!

I can take care of myself. I can eat healthier. Sleep better. Drink more water and try to not let the stress take anymore of my hair out. Because without me there are no books to launch. We ALL need to take care of ourselves!

So what do you do? What do you think I should do to help with this book launch? Any and all comments are welcome.