Tag Archives: Heaven Is For Heroes

To Select…or not to Select. That is the question.

PJ Sharon here on this chilly New Year’s Eve Day. Since I’m in the process of re-evaluating my first quarter marketing plan for 2014, I thought I’d share the results of my latest promotion. Most of you are familiar with KDP Select, Amazon’s 90 day exclusivity contract that requires authors to publish only with them for that time period. The perks of putting all your eggs in the Amazon basket are paid borrows by Prime members (average $1.94 per borrow), entry into their new “Count Down Deals” program, and/or the ability to run FREE promotions for five days of the 90 day period. A year ago, all of this was very attractive. Now, not so much.FREE promo

Most Indie authors agree that running free promotions has been much less effective than it was a year or two ago. Now that the market is flooded with freebies and bargain books, it’s getting harder and harder to sell at any price—even FREE! Sales of my last published novel, WESTERN DESERT, book two in the Chronicles of Lily Carmichael trilogy, which released last July, reflect the drastic change. I’ll preface these results with the caveat that YA Dystopian is a hard sell across the board lately since that market is pretty much glutted. I also believe that book two in a trilogy is often tougher because folks won’t buy/download book two if they haven’t read book one, and readers don’t want to get hooked into a trilogy with no guaranteed release date of the third book.

Having said all that, I’m trying not to take it personally or be embarrassed about such a poor sales record. The fact is, I don’t think the numbers reflect the quality of the book at all. What reviews I do have, are excellent, and feedback I’ve had from readers has been awesome. So what’s up with the numbers?

Coming June 24th!
Coming June 24th!

I enrolled WESTERN DESERT into the Select program in October, figuring I would promote books one and two through Halloween, running my first two day FREE promo around the time readers might be drawn to Dystopian/Sci-fi-fantasy stories. I was part of a group sale, advertised on the usual 20-30 sites that promote freebies (some charge a nominal fee of $5-15), and did a social media blitz, including some blog appearances. The best I did was had about a thousand free downloads and sold eighty or so copies of WANING MOON, book one in the trilogy.

Now, I realize that those results meant that my book was in the hands of potentially a thousand new readers, and it did wonders for my sales rankings for both books during the sale, but being that WANING MOON was selling for the .99 cent price point, I made about $30. I’ll add that there was no after sale bump in numbers (meaning my sales flat-lined again immediately), and I’d spent my budgeted $100 for advertising the sale, netting me -$70 for my trouble. Consider the amount of time it takes to set up ads on 20-30 sites, schedule blog appearances, participate in social media non-stop for two days, and well…you get the picture.

I waited a couple of months, planned my last three day FREE run for right after Christmas, hoping to catch all those new Kindle owners, and promoted both books like crazy. As in, “Two Books for under a buck!” “Buy WANING MOON for .99 cents and download WESTERN DESERT for FREE!” I joined with Awesome Indies for their Holiday Bonanza e-book sale, promoted on 30 FREE e-book sites (I’m hearing now that it takes 50 sites to make a dent), and I scheduled mega tweets, FB, Goodreads, Google+, Pinterest, and tumblr promos. I spent my $100 budget, and had the support of dozens of other authors who tweeted, posted or otherwise shouted it to the world for me. Here were the results:

Worldwide (including a few downloads in Germany, France, India, Canada, and Australia—a new market for me!), I had a whopping 543 downloads of WESTERN DESERT and 39 new sales of WANING MOON. Oy! Hours of preparation, insane amounts of marketing, and yes, I’m down about $85. I did reach the #1,026 mark on the Amazon rankings in the Free kindle store, #2 in the Sci-fi/fantasy/Genetic engineering category, and #10 in the Dystopian category, but numbers bounced right back to oblivion when the sale ended.

Granted, I was unable to procure ads on the really big sites like Book Bub and a few others which require as many as twenty-five reviews these days to even be featured and are very choosy about what they pick to advertise, but really? For the work involved and the investment of time and money, it feels like I’ve run a marathon and placed next to last. A far cry from last year’s FREE promo for SAVAGE CINDERELLA  when I boasted 40,000 downloads between my two day and then a three day promotion. The best part was the over 800 direct sales in the weeks after my free run. Yikes! What a difference a year and-a-half makes. Even HEAVEN IS FOR HEROES and ON THIN ICE promos last year at this time did much better than my 2013 efforts for my Dystopian reads.

It would be nice to get a few (hopefully good) reviews out of the promotion and getting my name out to new readers is always a good thing, but all in all, the Select program has little left to offer me with this book series. Perhaps when I publish another Contemporary YA romance, or when I have a boxed set of all three books in the trilogy, I’ll give it another go, but for now, KDP Select is a losing proposition for me. Of course, take all this with a grain of salt, because I’ve heard of a few other authors on my loops who are still pulling in good numbers with Select. Go figure!

What do you think? Have you had better results? How did you do it? Am I missing something?

Holiday Happenings!

Merry Christmas Eve!

PJ Sharon here, there, and everywhere, currently coming to you from the coziness of my living room.christmas tree I’m wrapping last minute packages and the smell of fresh baked cornbread is wafting in from the kitchen. I hope you’re all taking some time off during the holidays to spend with loved ones. I’m grabbing a few days off, but since writers are never totally on vacation, here’s what I’ll be up to until the end of the month.

For the past ten days, I’ve been part of the Sleigh Bells Ring, Are you Listening, giant audiobook giveaway hosted by Rita Award winning author, Wendy Lindstrom. Today is the last day to enter if you want to be in the running for a chance to win some awesome audiobooks, an MP3 Player, or even an iPod Nano! Just click here to bring you to the Sleigh Bells Ring are you Listening contest page where you’ll find a Rafflecopter entry form. It’s super easy, and only takes a minute, I promise!Sleighbells ring promo pic You might even win an audiobook of HEAVEN IS FOR HEROES.

I’m also participating in the Awesome Indies Holiday Book Bonanza, where dozens of e-books are on sale for only .99 cents between December 26-30th.aia_holidays (1) If you aren’t familiar with Awesome Indies, it’s a great organization of Industry professionals who read, rate, and review books by Independently published authors. They have very stringent criteria that have to be met, so you can rest assured that approved books are top notch! I’m proud to say, WANING MOON and WESTERN DESERT made the cut and are now listed on their front page! For my writing friends out there, check out their website at http://awesomeindies.net/ for some invaluable resource material (check out their criteria for submission info).

While WANING MOON, book one in the Chronicles of Lily Carmichael is only .99 cents, WESTERN DESERT, book two in the trilogy is up for FREE from December 26-28th.

Available NOW!
Available NOW!

 Bookmark this page and come back during the sale for easy links to the books on Amazon or find links on the Awesome Indies Holiday Bonanza Book sale page. With all those new Kindles under Christmas trees everywhere, I couldn’t think of a better time to offer WESTERN DESERT up for FREE! If you’ve got teen readers at home or enjoy reading YA dystopian romance yourself, here is your chance to get both books for less than a dollar. It doesn’t get much better than that!

Please help me spread the word about this great opportunity by sharing this post on your Facebook page, twitter, or other social media. Simply click on the social media button of choice below and add a note of encouragement for friends to download WESTERN DESERT for FREE from Thursday to Saturday this week. Promotions like this are the best way authors can give back to readers, and readers can show their support of their favorite authors by spreading the news, leaving reviews, and chatting about the books with friends and family. As always, your support is greatly appreciated and means the world to me. May you be blessed with good health, peace, prosperity, balance and harmony in the coming year!

So that’s where I’ll be and what I’ll be up to for the next week or so. In the meantime, enjoy the holidays, squeeze in some “healthy” food choices, and plan a nice hike for after your Christmas dinner.

I’m making our traditional spiral ham. How about you?

Audiobooks

Good day, PJ Sharon here, coming to you from the snow-carpeted Berkshires. The first snow fall is always so pretty.  First snow picI have a couple of questions for all of you. Do you listen to audiobooks? How do you listen to them? And where do you find them? Best seller’s lists? Specific authors/narrators you love to read/hear? Let’s chat.

I’ll confess that I’ve only listened to a few audiobooks–and always in the car with a tangible CD (or 29 CD’s as is the case for OUTLANDER  which I’ve listened to five times). I’m afraid I haven’t made the leap to the next technological step in the evolution of how we read books and hear stories–digital audiobooks. As in–downloaded them onto my i-pod touch or my android phone, or listened to them directly from my computer. As hard as I try, I’m still resistant to learning/using new technology.

I often feel as if I’m being dragged forcibly into the future. I’m trying not to scream too loudly about it since I know that many people are having great success with audiobook sales. According to the world of publishing, audiobooks are in. Bob Mayer admits to having spent over $35,000 having all of his books turned into audiobooks, and I know Bella Andre thinks they are as untapped a market as the foreign marketplace. I’m pretty sure their audiobooks are selling…I’d love to ask them.

Personally, I’m not seeing it. Maybe because I’m not on any best sellers lists or because I’m not out “finding my audience” as diligently as is needed, but I don’t see my readers buying audiobooks. Whenever I mention that my book is available on audio, I’m asked where they can buy the CD so they can listen to it in their car. Um…sorry…no CD. These are friends and family I’m talking to, however–the folks like me who are always one step behind the latest tech trend. No problem, you say. You write books for teens, and teens in general are glued to the latest and greatest electronic devices. Surley, they must be listening to audiobooks. But once again, they don’t have the buying power of adults. And let’s face it, none of them is likely to spend $17.95 on a digital download of a book unless it’s someone they really want to read/hear.

When I decided to dabble in the realm of audiobooks, I figured I would start with a book that had universal appeal. Many adult readers loved HEAVEN IS FOR  HEROES for it’s sweet military romance, family drama and Thanksgiving theme. It seemed like the right story for an audiobook audience.HeavenisforHeroes_audiobookcover (2013_06_07 00_53_00 UTC)

You can hear a sample of Erin Mallon’s awesome narration of HEAVEN IS FOR HEROES here. Just click on the little “listen” arrow beneath the cover picture on the sales page.

With companies like ACX (Audiobook Creation Exchange), it’s much easier for authors to have professionally produced and fabulously narrated audiobooks. ACX offers two plans. You can either pay up front, which will likely cost you between $1,500-2,000, depending on the length of your book (mine was 78,000 words and would have cost me $1,000). Or you can do a 50/50 royalty share, where you pay an upfront cost (usually half) and then split the royalties until the complete cost of production is paid and I’ve sold a certain number of copies, at which time, my royalty rate increases.. Basically, I paid $500 for an awesome narrator who I found on the ACX site, and I split the royalties. It comes out to a nice little chunk of the $17.95 per copy price through Amazon, Audible, or i-tunes. If you want to read more about ACX and how it all works, the WG2E has several excellent posts here.

On the consumer’s side, If you’re an avid audiobook fan and decide to become an Audible Member, which is around $14.95/month, you’d get the $17.95 price point OR you can use the 1 Credit you get each month and download the book for FREE–or even gift it to someone else. You can also purchase the file from Amazon and get it FREE with a 30-day Audible Trial Membership.

Now, the other difficulty I find with audiobooks is getting people to review them. I don’t know if people who have bought the book have downloaded it and simply haven’t listened to it yet, or if they aren’t inclined to leave reviews on audiobooks. Either way, I can’t even give a copy away to get an honest review. ACX provides five free download codes to give out to reviewers or as giveaways, but finding reviewers for audiobooks seems to be a bit of a challenge. It’s a market that is getting increasingly flooded and some reviewers are backlogged for months. If anyone is willing to listen and review the book, I’d be happy to gift you a copy along with instructions on how to download from Audible, Amazon, or i-tunes. All I ask in return is that you give it an honest review.

If anyone has any suggestions on where’s a good place to market audiobooks or how I can get some reviews, I’m wide open! I’ve even tried to join a Goodreads group of romance audiobook reviewers, but those groups are pretty persnickety about authors promoting themselves. If you aren’t part of the discussion every day, it’s not really cool to just jump in and ask for reviews. And since I hang around mostly with the characters in my head and not the characters on Goodreads, I haven’t found an “in”.

I’d love to hear your thoughts on audiobooks. Questions are cool too–if you’re wondering about the process or have questions about working with ACX. I’d be happy to answer them. Have a lovely day!

Who are you writing for?

How awesome has this weather been? Did any of you get out and watch the meteor showers the past few nights? The sky has been crystal clear. Up here in the hills with no light pollution, the stars have been spectacular. We saw dozens of meteors, some so full and close that you could see the tails burn a trail across the sky. I’ve also taken advantage of the great weather to do some kayaking and gardening. It’s just been too beautiful to stay locked in my writers cave. But lest you think I’ve been totally slacking, my brain is always in problem-solving mode.kayaking pic

I find myself working through scenes and bits of dialogue in my head while I’m weeding or paddling. It’s almost like the information needs to percolate for a day or so before I can get it on the page. I also bring my business hat with me on these outings. The question most churning in my mind lately is “Who am I writing for?” This is a two-fold question for me that needs to be answered before I can move to the next level in my evolution as a writer. Intrinsically, I need to answer the question “am I writing for myself because I enjoy it and feel passionate about my art? Or am I pressuring myself to write and publish to fulfill some need to be accepted, revered, or even loved?  Not that I don’t have all of those things already, but there were certainly times in my life where I felt none of that was true.  Perhaps my reasons are a little of both, but I know that I need to be clear about this. If I’m not fully committed to believing in myself and my own potential, I will unconsciously put road blocks up for myself to sabotage my success. Essentially, I need to ask myself, “how much do I love writing/publishing, and how badly do I want success and all that comes with it?” I bet I’m not alone in my musings.

From a business perspective, the question means something entirely different, but equally as important to answer. “Who am I writing for?” In other words, who and where is my audience? This isn’t a new concept, and in fact was one of the first exercises I did with Jennifer Fusco of Market or Die two years ago when I first decided to self-publish. The question remains unanswered for me, even though Jennifer made me examine my “target audience.”

For HEAVEN IS FOR HEROES, ON THIN ICE, and SAVAGE CINDERELLA, my intended audience was 14-18 year-old girls who like to read Contemporary Young Adult romance. I didn’t realize that the majority of my readers for those first three books were going to be women between the ages of 20 and 50. I had lots of ideas about reasons why the books seemed to transcend genre and resonate with adult readers, but the reality is that those were the people I was targeting with my marketing efforts and who my stories appealed to.

If you look at it from a “sphere of influence” perspective, my first layer in my sphere of influence is my friends and family. Then comes my writing community, mostly women between 20-50ish and all avid readers and supporters. These are the people who follow me on FB and twitter and read my blogs. I’ve been able to get some exposure to my original target audience through the parents of teens since many of my adult readers have teenage daughters.

But what about other teen readers? How do I target them? And not in a creepy way of course. And which group do I target. The 16 year-olds that want to read Contemporary or the Sci-fi/fantasy geeks who want dystopian? When I veered off course last year and began a dystopian trilogy, my target audience changed—a fact I hadn’t take into account! The readership I’d gained writing Contemporary YA romance did not necessarily follow me over to my dystopian, sci-fi/fantasy story, despite that it’s still a teen romance at heart.

Some readers are eclectic and will read anything by a favorite author, while others will only read within the genre/sub-genre they favor. Also notable is that my adult readers tend to be “over” the whole dystopian hype and aren’t flocking to read more of the gloom and doom stories. To compound the difficulty with discover-ability, the categories that SP authors can choose to list our books under at Amazon, B&N, and Smashwords don’t offer Young Adult Romance or Young Adult Dystopian. The closest category is Juvenile Fiction, which historically has applied to middle grade and younger teens–which is not my audience at all…uggh!

If I list my books in the adult sections, teens won’t find them and readers looking for an adult book will likely be disappointed in the heat level of my stories. Again, I’m marketing to the wrong crowd. Retailers aren’t making it easy for us.

In general, the answer to my business end of the question is that I need to find where teens hang out and then put my books in front of them and see what happens, perhaps delineating my efforts and focusing on specific groups for each type of book I’m marketing. Whether that means focusing on high schools and library visits, or hanging out on Wattpad and Goodreads in YA chat rooms to connect to readers, that may be where my marketing time is best spent. So much to learn and so much to do!

One thing I do know is that I need to give my readers of Contemporary YA romance another book–soon. Rest assured, I happen to be working on a project as we speak! More details to come.

Do you authors know who your target audience is? Where to find them? How to reach them? How to get your book in front of them?

In respect to the internal question, are you clear about your goals for success? What does success look like to you and when will you know if you’ve achieved it? Do you sometimes feel that the job is more than you expected and not worth the effort? Are you forging on because you have the passion and drive to see your dreams come true, or are you plodding along wondering what you’ve gotten yourself into and why you’re making yourself crazy?

C’mon…dish people! You know you want to comment.

I’m giving away an audiobook copy of HEAVEN IS FOR HEROES to one lucky person who comments and requests to be considered. HIFH_audiobookcover (2013_06_07 00_53_00 UTC)Just leave me a valid e-mail address in the following format to enter. email address(at)—(dot)com. I’ll announce the winner next Tuesday!

The Beauty of the .99 cent Price Point

Welcome to another Tuesday edition of the Writing Secrets of 7 Scribes. PJ Sharon here with today’s unlocked secret. I’d like to talk about e-book prices. Specifically, ways to use the .99 cent price point strategy to boost sales, gain exposure, and get your books listed on the hottest advertising sites around.

First off, if you are traditionally published, changing the price of your e-books is likely beyond your control. Additionally, publisher prices of e-books in most cases will set you and your books outside the realm of “discounted” or “cheap” reads since all of those folks in the middle (agents, editors, etc.) need to take a piece of your pie. The average traditionally published e-book is priced anywhere from $7.99-$15.99–not exactly an impulse buy kind of price. Being that there are no print costs, storage rates, or delivery fees to pay, I’m not sure what these prices reflect– other than the publishers trying to make up for a declining print book industry. These prices may not discourage rabid fans of Stephen King, Nora Roberts, or James Patterson, but if you are a new author trying to gain a readership, your publisher may be pricing you out of the market. There is simply too much free and reduced price product available to readers. As such, higher priced e-books are likely going to to have difficulty finding an audience as time goes on. Then again, I could be wrong. The benefits of having a publisher with access to a publicist who is willing to help you get exposure through pre-orders and reviews might just balance out the playing field. (I’d love to hear some comments from trad pubbed authors about this topic.)

If however, you have self-published titles that aren’t selling well, or you have a series that you would like to promote, the ability to give your readers a deep discount can open some new doors.sale For one thing, there are several advertising sites that focus mainly on selling discounted e-books. Kindle Nation Daily, Book Bub and Kindle Fire Department just to name a few. All of these sites can give your discounted e-books the excellent exposure they need to get them into the hands of lots of new readers. The caveat is that because there are so many authors trying to get their books in front of the world, advertisers have the advantage of picking and choosing which books they will feature. Requirements are becoming more stringent. Some expect as many as 18+ reviews with an average 4.5 star rating. To further narrow the field, the books may not be accepted if they have been offered for free within the past few months, causing some issues for authors who have participated in the KDP Select program with Amazon.

Lest you feel you are “giving away the shop” with this .99 cent price point, think of how large retail stores encourage consumers to try a new product. They will often give away samples or significantly reduced price items in order to introduce customers to a new product or product line. It’s known in the industry as a loss leader. Even if you normally price your e-books at the $2.99-$4.99 sweet spot for impulse buyers, a drop to .99 cents can expose you to a whole new readership who ONLY buys .99 cent books or downloads freebies. You might take a cut in royalties (from 70% down to 35%) but if it leads readers to other books in a series or gains you a new following, the increased volume of sales and the boost to your rankings can be a sacrifice well worth making.

Now, there are a few tricks you can try to employ to keep 70% of your dollar. By changing the price of your e-book on Smashwords and BN, for instance, and then waiting for Amazon to price match. If they choose to change the price, they won’t change your royalty rates, but as the TOS (terms of service) agreement states, authors are not supposed to offer the book at a lower price on any other distribution channels,so it may ruffle their feathers. It could also take several days or even weeks before Amazon catches up with the new price (a process that can sometimes be sped up by having friends “report” the lower price), and there is always the risk that they could call you out on the contract breach. So far, Amazon has been amenable to price matching strategies that self-published authors are using. One of the silly benefits of allowing Amazon to match the lower price of their own volition is the neat little slash they put through the old price so that customers know they are getting a deal.(See here for example)

If you decide to try a .99 cent sale on one or more of your books, it can help to boost your exposure if you join with other authors who are doing the same thing. Readers will often look for these “group sales” so that they can stock up on “cheap” reads all at once for their summer reading. Indie Romance Ink, a yahoo group for independently published authors has just such a sale coming up this week from May 1-3, called the Book Lovers Buffet, Bouquet of Books, offering over 150 e-book titles across multiple genres, all priced at a very affordable .99 cents each! There are books for every reader available all in the same place and we have a staggering number of authors promoting the sale. We’ve lined up dozens of book bloggers, FB pages, and advertisers all promoting with us. Hopefully we’ll have a good turn out. Check out our landing page by clicking the icon below, but wait until tomorrow if you want to enter to win great prizes. If you stop by today, you can browse through the books, but the prize page won’t be active until tomorrow and there are no price guarantees until the sale starts.bouquet-sale-button[4] Be sure to spread the word to family and friends. Hope you find exactly what you’re looking for!

As for me, both WANING MOON and HEAVEN IS FOR HEROES will be available for .99 cents during the sale. I’ll also be giving away a $25 Amazon Gift card at my http://www.pjsharonyawriter.blogspot.com site to one lucky vistor who drops by and leaves a comment with a valid e-mail address (not to be used for any other promotions).

Contest ends at midnight on May 3rd. Winners to be announced Sunday, May 5th. Thanks to everyone who organized the sale (Clover Autrey…you know who you are), and a big thanks to everyone for passing along the word on FB, twitter, and Goodreads.

What do you all think about e-book prices and the .99 cent price point strategy?

Happy Hopping

PJ Sharon here. Thank you for joining me at the Secrets of 7 Scribes group blog. I’ll give you today’s Unlocked Secret right up front. Writing is a tough job. Try to have a good time along the way. Fun may be defined differently for all of us, but a few of my favorite parts of this writing life (aside from writing!)are great conferences and group promotional events. I’m looking forward to RWA Nationals in Atlanta this July, and Fiction Fest this fall with my CTRWA pals. In the meantime, I have several group promotional events coming up.

Tis the season of Blog Hops and Book Lovers Buffets!

I’m currently participating with sixty-one other authors in the annual Authors in Bloom Blog Hop. Authors_in_Bloom-300x250Since Dianne Venetta and friends organized the whole event, I didn’t have to do much accept prepare my blog and promote the heck out of it this week. The hop runs from April 10-19th and offers a Grand prize of a Nook or Kindle Fire and a $25 gift card to your favorite e-retailer.

The way it works is that you “hop” to each author’s blog where readers can collect gardening tips and awesome recipes (you must check out my super easy and scrumptious recipe for Sunny Delight Pie), and a prize will be offered just for showing up and leaving a comment. You can find the links to participating author sites on both my blog and the AIB landing page noted above. Prizes range from swag baskets to free books, signed copies to gift cards, and much more. On my blog site, all commenters who leave a valid e-mail address (not to be used for any other promotion), will be given a FREE short story called SOUL REDEMPTION, the prequel to WANING MOON, and will be entered to win an audio book copy of HEAVEN IS FOR HEROES.HeavenisforHeroes_audiobookcover

I’m so excited to be able to offer the audio book as a prize. I’ve been listening to it at home and LOVING my narrator, Erin Mallon, who has totally brought Jordie and Alex’s story to life. Hearing the story is very different from reading it, and the experience is a bit surreal for me as the author. The audio book will be available for purchase in May! Also in May, the 1st-3rd to be exact, be on the lookout for the Book Lover’s Buffet, where you can pick up a ton of fabulous books for only .99 cents!

Whenever I start feeling overwhelmed by the magnitude of being a published author these days, I try to focus on the “fun” stuff. Blog hops, audio books, contest wins, and conferences are at the top of my list. I truly do enjoy opportunities to hang out with amazing like-minded people and learn exciting new ways to write great books and connect to readers. I am honored to be a part of such a hard-working and innovative community. You guys rock!

So what keeps you going when you get overwhelmed? Do you have a favorite (“fun”) part of being a writer that makes the hard parts easier to endure?

The Unlocked Secret of the Niche Market.

So what is Niche Marketing? Wickepedia says, “A niche market is the subset of the market on which a specific product is focusing.” Really, Wickie? Who wrote that? Is that the best you’ve got? Of course they go on to explain further with words like demographics, market shares, and some other marketing terms and examples that didn’t do much to help me figure out how to define where my books might land on the book shelves.

The first question a professional marketer asks is, “Who is your target audience?” Truly understanding this question is probably the number one best marketing tool a writer can have. We’d all like to say, “everyone, of course.” And while that may be sort of true that many different demographics might enjoy your book, it’s more likely and infinitely easier to reach a smaller group of readers specifically interested in your genre, subject matter, and characters. Think “low lying fruit.”

Targeting “your” readers may be easier if your book falls into a specific genre. If you’ve written a cozy mystery about a librarian who is a quilter turned amateur sleuth, you might consider marketing your book to librarians and quilters, a pretty small “niche” market that might be easier than trying to reach “everyone.” This is why agents and editors want to know what “genre” you are writing. So they can determine the marketability of your book based on their experience with that particular readership and their understanding of where the market is currently trending. Women 30-55 years old are the greatest book-buying demographic that marketers are competing for. Publishing houses are trying to meet that supply. So sending a query for your “Sci-fi/ Historical, Inspirational/ Regency might be a tough sell.

The problem for many authors is that our stories don’t always fall into one genre. Diana Gabaldon had difficulty getting OUTLANDER published at first because she couldn’t clearly define it as a romance, a historical, a science fiction/fantasy, or a time travel novel. Of course it’s all of those, but it was so fabulously written that some smarty-pants publisher decided that they would take a chance and market the book to readers across multiple genres, essentially including “everyone,” and the series took off.

It worked out well for her, but most of us aren’t so lucky. In most cases, if your book falls outside of a specific proven market, agents and editors don’t want to touch it. Most of my rejection letters a few years back were because my manuscripts didn’t “fit the market.”

Now that I’m self-publishing, I see their dilemma. When I put my books up on Amazon, BN, and Smashwords, I have to pick categories that best describe them so that they are listed where my target audience would find them (good old search engine optimization-SEO). The frustrating part is that the choices are limited to the old model of publishing and haven’t caught up with new trends. “Teen/YA fiction” refers to books with protagonists ages 14-17 and are a subcategory of “children’s fiction”. But the books coming out these days for teens are arguably for a much more mature audience, and the demographic isn’t so clear-cut. Ideally, they should be much more delineated. There should be choices that would target older teens and adults who enjoy reading about that all-important transition from teen life to adult experiences. I had no idea when I chose my categories that some sites would lump my books into “Children’s fiction” because I labeled it a YA. They aren’t likely to find a readership there!

So what’s a writer to do? Well, you can choose to write for a particular market, ie; cozy mystery, romantic suspense, thriller, or romantic comedy. This is a very viable approach and is the most likely road to becoming traditionally published if you do your research and watch what’s selling and who’s selling it, and target your agent/editor query appropriately. But if you consistently find your stories falling into “genre no-man’s land,” you can join the new age of genre-bending authors who have literally created new markets by taking risks and writing what they want to write, self-publishing, and then finding their readers by focusing on certain niche markets and using that SEO to their advantage.

Whether traditional or indie-published, when it comes time to market your books and find your readership, look at who your target audience really is. Be creative and look at it from all angles and try different approaches. If you aren’t reaching readers by promoting the book to one segment of the population, try another. My book ON THIN ICE could be marketed to ice skaters, teens who become pregnant, sufferers of eating disorders, or teens experiencing the grief of losing a parent. Over time, I can market this book to several different niche markets, keeping it relevant as long as I can keep reaching new readers and targeting new niche audiences who might not otherwise have found the book. That’s why SEO is so important. And why creating whole new genres may be the best way for your target audience to find you.

Heaven is for Heroes 72 dpi 600x900 WEBSITE USEFor instance, I’ve been promoting HEAVEN IS FOR HEROES as a “Contemporary YA Romance.” But the story deals with the tragedies of war, overcoming loss, and the determination of one seventeen year old girl to find the truth—pretty mature themes that 14-17 year-old readers wouldn’t necessarily be looking to read about. Because of the protagonist’s age, the book falls into the YA market, but our hero is a nineteen-year-old Marine Veteran struggling with a difficult recovery, which changes the demographic for this story. Because the focus of the book is a tenuous teen romance with the underlying plot of a family’s search for peace in time of war, HIFH will appeal to adult readers as well as older young adults, but listed as a YA, it may never reach those adults who might enjoy the book.

The hero’s age and the subject matter make it fit more appropriately into the New Adult genre—a relatively new niche market targeting 19-23 year-old readers previously forced to read “teen” novels or jump right into “adult” romances. This segment of readers wants more than the typical high school experience, but they may not be ready for the white-picket-fence-via-total-abandonment-to-love-and-sex that rules the adult romance world. They are looking for relatable characters faced with real life issues that they themselves might be facing; such as leaving home, going off to college, or dealing with friends coming back from war.

Filled with moments of poignant reality, hard lessons, and the angst and sexual tension of first love, HIFH combines family drama and the relationship between childhood sweethearts, Jordie Dunn and Alex Cooper, who must overcome some pretty “grown-up” obstacles to find their way to a hopefully ever after ending.In Savage Cinderella, Brinn is eighteen and Justin is twenty-three. Add the subject matter and this book clearly falls into the New Adult category rather than YA. I might have tried marketing my books as Mainstream fiction and put them up against books from authors like Nicolas Sparks and Jodi Piccoult, but that would again put me in a very large pool with some very big fish, and without publisher backing, it’s tough to swim in that pond. Literary fiction is an even tougher sell than genre fiction.

With many of today’s YA books fitting more appropriately into the New Adult category, this niche market is catching on. Entangled Publishing, St. Martin’s Press and I believe even Harlequin Teen are adding New Adult titles to their acquisitions. Publishers are finally willing to recognize that yes, college students do read for pleasure in their limited time, and that they want more of what the New YA market has to offer. There are loads of twenty-something’s looking for books that go beyond the teen dramas focused on high school but who still want stories that deal with all of those wonderful (and hideous) firsts. Many of my readers fit into this category. If I had to guess, my average reader is between 19 and 33. That’s a pretty big demographic, but by listing my books as YA, I’m potentially focusing on the wrong group of readers. I don’t want to misrepresent the books by having them listed in the “Contemporary Romance” section either, since they definitely have a younger voice and reader expectation is important to consider.

Re-branding my work might take a bit of time and effort, but if it means reaching my target audience, I owe it to my books…and my readers to give it a shot.

Have you thought about who your target audience is, and what niche markets you might be missing?