Rest in Peace, Duchess

Hi, Scribettes and Scribes. Suze here.

Jeanne Cooper 1928-2013

Jeanne Cooper 1928-2013

I was going to talk about my recent trip to St. Louis today, but yesterday’s news made me think about something else. Jeanne Cooper, the matriarch of my favorite soap opera, The Young and the Restless, has died. I don’t know if the part will be recast. On one hand, no one can replace her. Jeanne Cooper was Katherine Chancellor (on screen, anyway), and I for one would have trouble accepting anyone else in the role. On the other hand, the longest-running storyline is the feud between Kay Chancellor (her son Brock always called her Duchess) and the wonderful, scheming Jill Foster Abbot, and that’s always been the pivot point on which the whole show turns. Without Kay, we’re going to feel lost for a while until we get our bearings and see which new direction the show will take.

As writers, we can learn so much about plot and character from the soaps. One of the brilliant things the writers of Y&R did in the beginning was to give Kay some pretty big and scary demons. Her husband was in love with a much younger woman (the aforesaid Jill); Kay became alcoholic; she killed her husband in a deliberate car wreck where she intended to kill herself too, but instead survived. This formed the basis of the conflict between Kay and Jill, and although there have been times when they’ve reconciled (at one point, it looked like Jill was Kay’s daughter given up for adoption. This was later proven false), that underlying hatred of each other was always there. And when things got bad for Kay, the writers could always make it worse and send her back to the bottle so she’d have yet another internal/external struggle.

We hear so much about GMC–Goal, Motivation, Conflict. Well the Kay Chancellor storyline (click here for the Wiki article, if you want to read a synopsis) illustrates that beautifully. And as for plots, of course they’re outrageous. That’s why we love the soaps! But notice how every single episode ends on a hook, and there’s a bigger hook on Friday’s show to bring the viewer back on Monday. While your plots might not take the crazy twists and turns of a soap story, every chapter should end on a hook, big or small. Every book should end making the reader satisfied but wanting more (your next book). And if you ever need inspiration on how to throw rocks at your characters (remember the classic advice: Run your character up a tree. Throw rocks at her. Get her back down.), nobody throws rocks like the writers of soaps. Abducted by aliens? Secret babies? A long lost twin back in town and bent on revenge? Why not?!

So tell me. Do you love the soaps? What’s your favorite show (whether or not it’s still running)? What character keeps/kept you coming back for more and why?

But wait …!

This is the TVholic’s strategy for sagging middles

Hi everyone. Thea here today, but really, as you read this, I’ll be in KC at the RT Booklovers’ Convention and not in my usual position, rooted at the end of the couch, with tv on and WIP at the ready. So forgive me if I’m not posting an immediate response. (Full report on the conference to come, of course.)

So I want to talk about sagging middles — the kind you delete with a key stroke (oh, if only — ). I’ve said during workshops that “what if” is your single most powerful writing tool. Anything can happen in “what if.” It’s no-commitment plotting. It frees your mind. You can let go, make lists, let them take you to the most improbable plot places.

But wait …! It would be even more productive if at the moment when the plot seems to be chugging along, you stop yourself with those words. But wait …! The juicy incentive used by telemarketers to make you buy (can you tell I watch too much tv?). But wait — maybe your reader isn’t buying a smooth, unfurrowed plotline. Maybe your reader is waiting for something juicy to happen.

But wait …! What if your characters are afraid of losing something? (Love, fame, fortune, respect, family secrets, inheritance, friendship …) Make them lose it. Ask what lengths they’ll go to to get it back. What they’re willing to risk.

Because the more they risk, the more that stands in their way, the more conflict, the greater desire they’ll have (at greater cost) to reach their goal, and so, the richer the plot.

In the simplest terms: Get them in trouble and keep them in trouble. Keep throwing in obstacles, complications, repercussions and don’t let up.

But wait …! What if you don’t know exactly where the plot is going?

Write the NYTimes log-line. That hones it down nicely to two or three lines: Danny Jones has everything he wants, until a secret from his past threatens everything.

Or write the cover copy. That will focus you on the set-up, conflict, and what drives the plot.

But wait …! What if it’s still not working?

Make the problem personal and current. Someone is out to destroy Danny Jones and make sure he never is elected to anything.

Give the protagonist two villains and a moral choice. A childhood friend and his own brother are separately threatening Danny Jones. No matter what decision he makes, he will lose everything, including his friend and his brother.

Up the ante. Not only does a secret from his past
threaten Danny Jones personally, but also his burgeoning political career, his marriage, and his inheritance from a famous relative which comes along with a list of moral stipulations he may not be able to meet.

Add suspense by turning “what if” into “if only.” What could his enemy have against him? If only, all those years ago, he hadn’t — but then there was this other moment when — But nobody knew about that, did they?

Give your protagonist a moral dilemma that forces her to compromise either her beliefs or her values. If Danny Jones is up front about his past, then he will never ever be able to run for office, he’ll lose the love of his life, the inheritance from his famous relative, and he’ll never be able to see his children again.

Try reversing things. Make the hero the heroine and vice versa. Danny is Danielle, a powerful CEO who is courting politics and who has a secret she thought was buried deep in the past. Lovers? Liars? Friends? Family? Who is plotting to betray her?

Keep the reader guessing. For Danielle any of those people associated with her could be her enemy; any one of them can say or do something that would lead her to believe she is on the verge of losing everything. She has too much at stake. She has to be careful not to rock the boat. What is she going to do? (I love this; I think it works even better!)

But wait …!

But I can’t. I have to go. But you can. What juicy incentives would you add to the list to entice your readers to keep reading?

Thea Devine is currently working on a new erotic contemporary romance, and enjoying the release of five of her backlist titles, Reckless Desire, Ecstasy’s Hostage, Relentless Passion, Montana Mistress and Angel Eyes in Kindle editions.

How Writers are Like Gardeners

I hope you all had a wonderful Earth Day and that you did your part in saving our beautiful planet. I spent a much needed day off in the garden this past weekend and it felt wonderful. Every drop of sweat, speck of dirt, and brutal scratches from wayward forsythia brought me closer to Nirvana. Crazy, I know. But how many writers love puttering in their gardens and digging in the fresh dirt? PJ Sharon here, sharing some of my interesting observations from my time with the earth. IMAG0023

While deep in thought as I toiled away, my mind could not fully escape my writer’s life, and lo and behold, I began to realize that writers are much like gardeners. Here’s how.

Writers start with a seed of an idea—a beautiful spark that takes hold deep in the fertile soil of imagination. The roots begin to spread, fashioning a network of connections to other characters and relationships, the story unfolding in our minds and shooting to the surface in search of the light of day and discovery. Our fingers dig away at the keyboard. Eventually we bring to life the intricate buds that seem to come from the cosmic funnel above—too perfect for our mere mortal ability to create without acceptance of divine intervention. Most days, I feel as if I’m a spectator in my writing process just as I understand that I am merely an extension of the Divine when I am in the garden–that I am ultimately not the one in control. That leaves me free to play, unencumbered by expectation. It would be nice if I could be so yielding in my writer’s life.

Interestingly though, even the technical aspects of writing mimic the gardener’s habits. As we writers plot and plan before we begin, so the gardener takes stock of their canvas. They prepare the soil, gather their tools, and imagine the larger picture and end result of the task ahead. They come to know their plants (characters), see all the necessary pieces (plot points), and work to put them in place with some semblance of order. Just as authors must balance narrative, dialogue, description, and backstory, the gardener must seek that same perfect balance, sometimes having to rearrange the plants and bulbs to assure proper flow of colors, textures, heights and compatibility.

Where the gardener adds water and fertilizer, the writer layers in depth of character and adds important details to show growth and development. When weeds invade the space, the gardener ruthlessly plucks them out in order to preserve the harmony of the whole. As such, writers too, need to be willing to be ruthless in their edits. As Stephen King says, we must be willing to “kill our darlings.” Although some weeds can add lovely color or thick greenery, left unchecked, they will infiltrate and destroy the harmony we seek to bring about, distracting us from the vibrant beauty of the flowers we plant.

Ultimately our reward comes when we share our story (garden) with others. Each story is unique to the writer as each garden is unique to the gardener. If the job is well done, the onlooker can see the soul of the creator on the page or in the beauty of a flawlessly designed garden. The love and care that goes into creating—whether it be a novel, a quilt, a beautiful painting, or a colorful garden—is what sets us apart in the animal kingdom. Our ability to create and enjoy beauty is a gift that we humans share, and it should not go unappreciated no matter if you are a novice or master–writer or gardener.

One of the wonderful lessons I have learned from working in a garden is patience. It’s easy to become discouraged by rejections, but just like rainy days, the harsh weather is sometimes necessary to bring the needed motivation for plants to grow and writers to forge on. Recognizing that we need both sunshine and rain to fully mature, the gardener takes this understanding in stride much better than the writer, who often becomes frustrated by those seemingly endless weeds and rainy days. A great review, a contest win, or kind word from a critique partner are sometimes enough of a reward to keep us going when we feel overwhelmed by the tasks ahead, but as any gardener will tell you, the greatest satisfaction comes from basking in the joy of knowing that you have co-created something magnificent that grew from your own soul and from the hand of God.

But that’s just me.

So, dear readers, does this resonate with you? Are you a gardener, quilter, painter, or creator of some kind? Can you see how writing mirrors so many other creative endeavors? Kind of fascinating, isn’t it?

The Saga of Mr. Fern

DSCF0661Mr. Fern, who by then was raggedy, although he still had green fronds, sat discarded outside the teachers’ room door at the school where my husband teaches, and rather than let him be consigned to the garbage, John brought him home. For years, Mr. Fern sat by the sliders to the deck in the winter, and on the deck, summers, and regenerated and bloomed, and — I truly believe — begat a whole family of ferns that return every year, shooting up like alien pods, in my pachysandra patch.

So it was with great sorrow that two or three years ago, we watched as Mr. Fern deteriorated to the point where he had no new growth, his leaves shriveled, browned, became dessicated, and he died.
We put him in the back yard nevertheless, loath to leave him in the detritus that would be cleared away in the bi-annual garden clean-up. And there he sat for a summer, a winter, another summer, forlorn, dried up, leafless, lifeless …

And then one summer day, I saw a sliver of green poking out from the midst of the jungle of brown. One fully formed fern frond, child-size, fresh green, fresh life, a little miracle stretching out from the dirt and decay. No stopping him then. I began watering him. He pushed out more long stringy fingers which turned into an explosion of brand new fronds.

Mr. Fern is back. Why, how, from that mass of crinkly dead leaves, I’ll never understand. I thought he was truly gone, and then, suddenly, there he was. And now he sits in my cluttered dining room by the sliding doors, growing and flourishing every day.

It’s a lesson to all of us. Sometimes we feel hopeless, helpless, dry, dessicated, chewed up, beaten down
– like we couldn’t produce another word, even if it was the word “I” — and we just bury ourselves and let it all go.

Don’t let go. We’re writers. There’s always life in there, even if at times it seems like still life with no possibilities. All it needs is a little poke and prod. A book, a word, an overheard conversation, something in the news — and we green up, poke our way out of the dessication, and get going.

Because we have to. Because there are stories to tell and we can tell them. Because there are fictional lives to explore, and we can do justice to them. Because when you’re a writer, you’re never not writing, even if you think you’re not.

And, because we can.

Thea Devine is currently working on her next erotic contemporary romance. She’s pleased to announce that five of her early books, Reckless Desire, Ecstasy’s Hostage, Relentless Passion, Montana Mistress and Angel Eyes are now available in Kindle editions.

Themes and Memes

Thea Devine today, watching as the snow stops, the sun comes out, and ready to jump-start some new ideas. I created this list for a workshop I gave at several Chapters (including CTRWA), and I’ve had a few new thoughts since I distributed the handouts.

Maybe you’re looking for a theme, an idea, a spine, some motivating mojo. Maybe you need a break from the WIP and want to write something just for the change (like, in my case, Not Sex). Maybe you want to play around with some bigger ideas and plot points. Maybe this list will help.

Family, faith, community: I think these themes the most important today
Anything goes vs old time values
Hedonism vs. religious stricture
Good vs evil
Something profound – like failure – shapes and changes a protagonist’s life
Loss of friends, community, job: after adversity, struggling to make a new life
Impact of separation, divorce, death
The love that could not be
Rebellion and where that leads the protagonist
Old boyfriend returns and upends everything
Consequences of sexual attack (Steubenville)
Repercussions of cavalier sex
Rags to riches: heroine spirals down and out and climbs back to a better life
An unseen lurking threat
Haunting — by ghosts real or imagined, conscience compels actions
Objects of desire: the key to a crisis in the present is in the mystery code located somewhere exotic that will save the country, the world, the planet (I love this theme)
The government is out to get us
The government is out to save us
Child in jeopardy
Impact of random violence (wrong place wrong time)
Controlled threat (stalker, serial killer)
Apocalyptic event changes life as we know it
Hero/ine against all powerful cabals that seek to dominate everything

And then …
Peripheral characters tell hitherto unknown story of a historical figure of real person –
The Other Boleyn Sister, the Tsarina’s Daughter, The Paris Wife
Ongoing characters reader falls in love with: Stephanie Plum, eg.
Exotic locations in exotic times: Wilbur Smith and Barbara Michaels, ca 1920’s Egypt; Daisy Dalrymple mysteries (1930s)
Wounded hero (like Jesse Stone) solves small town mysteries
Impact of major historical event (9/11, Columbine, Newtown)
Beloved fictional characters — like Mr & Mrs Darcy solving crimes; Jane Austen parsing out mysteries etc.
Boomer characters — the Covington novels
“clubs” — book, knitting, quilt. Jane Austen etc.
Historical mysteries — Alienist, Dante Club, Anatomy of Deception

Need some motive power? characters could be searching for family, a murderer, a lost sibling, assets, heirs, vengeance, treasure, lost love, an abandoned child, a new life, another chance.

Or they could be running from a murder charge, an ex-spouse, a stalker, toxic relationships, their childhoods, the past, responsibility, secrets (see below).

Or they could vanish. People leave for any number of reasons: they committed an opportunistic crime, were in an accident, were kidnapped, just took off, eloped, escaped an abusive situation, were running from the law, were seeking to start over, committed suicide

Maybe someone’s hiding something: someone’s secretly …

An alcoholic
An Exhibitionist
A pill addict/drug addict
A gambler
A shoplifter
An extortionist
An embezzler
Bulimic
Covets her sister’s husband
Endures physical or emotional abuse in a loveless marriage
Did bad things out of jealousy and never got caught
Got pregnant by seducing a man who resembled her husband who couldn’t have children and passed it off as his
Has an irresistible impulse to kill
Is really a bad girl when family and friends think is so good
Did something bad just to see if she could get away with it
Had a secret baby she gave away
Thought she was adopted; finds she was her mother’s natural illegitimate child

That’s it, guys. What do you think? Any ideas to add to the mix? I’d love to hear them.

Thea Devine is working on her next erotic contemporary romance — and pondering a handful of other ideas.

Pictorials, Paper Dolls and Old Magazines

We went to Arizona to visit family over Christmas vacation. It was our first trip there ever and one of the highlights (among many) for me, was our visit to Tombstone, the town that didn’t die. I walked the streets of history that I’d only seen in books — pictorial histories, which I discovered years ago when I wasn’t writing, hadn’t been published, hadn’t a thought I ever would be published.

Pictorial histories put me in the picture. I didn’t have to have lived in that time and place to describe what I saw in those old photographs, I was writing westerns initially — five of my first nine books (I know — who would have thought) — so I relied heavily on pictorial histories (Before Barbed Wire is a good one) to describe how it was from those taken-at-the-time photographs.

I love them, don’t you?

When I veered into the Victorian era, I found troves of photographic histories on everything from harems to Sherlock Holmes’s London. I also loved the reproduction editions of the Sears Roebuck and Montgomery Ward catalogues from the 1890s. Especially the house kits. I love floor plans.

And for clothes — I bet most of us have the Dover paper doll editions as well as their photographic histories of fashion. But at some point, it occurred to me that there might be a wealth of other kinds of paper dolls on-line : fictional characters, movie stars (from the thirties and forties), teenagers from the fifties, along with accurate depictions of the fashions of the times.

And then — old magazines. I found about a half dozen copies of Ladies Home Journal from the 1920′s in a basement we were clearing out. I pored over them for years. I added to that collection when I realized I could find more magazines from the 20s on-line — from any era, really. Is there anything more immediate than reading a woman’s magazine of the day? The articles, the advertisements, the fashions, the advice — personal and decorating … how different, how the same …

I haven’t succumbed to one of those “build your own” western towns or southern plantations. Yet. (I’m very tempted by the plantation, though.) I do have a Victorian house pop-up book that came complete with its own punch-out family. And lots of furniture. I haven’t set it up. Yet. I just like looking at it and imagining what’s happening there. You know — family secrets, secret panels, something the family album, ghosts on the staircase, eerie dreams, hovering fog, blanketing snow, a haunted attic …

Of course, a lot of this is available on-line. Call me old school. I like holding a book.

And of course, before we left Tombstone — I took loads of pictures. I don’t know if I’m ever going to write another western, but you never know: I do have a couple of ideas.. So — do I even need to say? — I bought all the pictorial histories I could find as well.
Do you love paper dolls, pictorial histories and old magazines? Do you ever use them? Do you have a secret source you’d like to tell?

My Secret, just between you and me: there are Downton Abbey paper dolls on-line.

Thea Devine is currently working on her next erotic contemporary romance — and readying those original backlist westerns for eBook release.

Affirmations and Good Things to Come

IMAG0025It’s March, (click here to find out what I’m up to this month), and one step closer to spring…and not a moment too soon for me! It’s been a cold and cloudy winter, leaving many of us with a case of the doldrums, myself included. PJ here, and I’m going to share one of my best secrets for chasing away the blues. I’m sure you’ve all heard of the practice of saying AFFIRMATIONS. An affirmation, according to my Sage dictionary, is “a statement asserting the existence or the truth of something.” When you say an affirmation, you say it as if it has already come to pass and is the truth or reality of the situation. So instead of saying, “I’m going to lose weight,” you should say, “I am in my healthiest body ever.”

I can see you rolling your eyes…stop that! Speaking your reality into existence is the surest way to find success. Your brain doesn’t know the difference between a lie and the truth. It is only processing the information that you feed it, and verbal and audio cues are powerful bits of information. Most of us have lots of “old tapes” playing in our heads from as far back as childhood telling us that we aren’t good enough, pretty enough, smart enough…whatever. Of course, this is all garbage that our brains have stored and processed and that our subconscious mind believes to be true. If you look in the mirror and say, “I hate how fat I am, I’m so ugly, or how could anyone love someone like me,” you are convincing yourself that all of that crap is true. And guess what? Your brain will have you believing it to the point of making it your reality.

So let’s turn that around right now! The only way to erase those old tapes and negative thinking is to re-program how you think and speak about yourself. It takes consistency and practice, but you can completely change your mind and transform your life by doing this. If every day feels like a struggle to you and you have self-defeating thoughts, saying positive affirmations is the cure.

Here are a few of the affirmations I say often, some on a daily basis:

“You are beautiful, I love you, and I’m going to take really good care of you today.” (If you look at a picture of yourself as a child as you say this, over time you will experience a very powerful healing.)

“I attract wealth and good health.”

“I attract healthy and happy people into my life.”

“I have all the money I need.”

“I am a money magnet!” (Don’t forget to add the “thank you, thank you, thank you” to express your gratitude to the Universe for providing for you).

And my favorite, “I am an excellent writer, I am a bestselling author.”

Always use present tense and positive words to give your intention impact.

It feels silly when you first begin doing this, and the critical you will immediately want to negate what you’ve just said as being contrary to your previous programming, but if you stick with it, say it like you mean it, and believe that it is possible, your life will be transformed by this one simple practice. Even more powerful, is when you write your affirmations down, put up sticky notes everywhere, and say those affirmations out loud as often as possible. You are supercharging your affirmation by including visual, auditory, and tactile re-training. The act of writing it down alone can get your brain to start processing the new belief and making it your new reality. As an added incentive, try creating a vision board, incorporating images and words that portray the kind of life you want and the dreams you’d like to see come true. I’ve been doing it for years, and trust me…this works!

Today’s Unlocked Secret: If you want to succeed in any area of your life, create positive affirmations and practice saying them every day. Before you know it, your dreams will become a reality.

So what do you think? Can you formulate an affirmation that clearly states the reality of what you want? Care to share it?

What is your “WHY”?

4-95EA3CD1-952312-800PJ here, sharing some motivational thoughts that might inspire you to embrace the challenges in your life today—whether they be writing challenges or fitness challenges. I’ve had several big milestones this week that have motivated me to forge on in spite of the occasional bouts of “to-do-list-itis” that require me to wear more hats than Jackie-O. Let’s face it; the writing life is not for sissies. So when I have a good week, it’s worth celebrating and taking a moment to reflect on what made it so great.

In the past week, I finished the first draft of my current WIP, WESTERN DESERT. That alone is enough to make any writer smile and breathe a sigh of relief. I also celebrated a birthday—not the BIG one, but getting close. Chomping at the heels of a half century of life experience is definitely a wake-up call. It was time to take stock and ask the hard questions. Have I been doing all that I can to ensure a balanced and healthy quality of life? Um…not really. I’ve been sitting too much, eating the wrong foods, not getting enough sleep, and generally overworking for the past couple of years. Sound familiar? Like most people, I have plenty of reasons WHY my life is so hectic. After all, I run two businesses full time and have a house to maintain. But when I look at what’s holding me back from my highest good, I realize that all of the reasons “WHY,” no matter how valid, added up to a bunch of excuses. Since attempting to turn over a new leaf, the past few months have been much better, but still not enough change to suit me or meet my weight-loss and life balance goals. I needed to go beyond “trying” and find that thing that would motivate me to succeed. I needed a better “WHY”.

For me, the only “WHY” I need to focus on is “WHY do I want to be my best, healthiest, most balanced self?” The answer is simple, really. I want the second half of my life to be full, happy, and healthy. I want to have the energy to do all that I need or want to do. I want to be here for my family and friends for a very long time, and I want quality living for as many days as I have in the rest of this lifetime. Is there any better motivation for making your health a priority?

In response to my “uh-oh” moment several weeks ago when I stepped on a scale for the first time in a few months and saw a number I’d only seen once before (when I was pregnant with my first son), I started a new exercise regimen. I found the Jillian Michaels’ Body Revolution ninety-day program on an info-mercial and was immediately drawn to the concept of a thirty minute a day commitment. I figured I could do anything for thirty minutes a day. It seemed like just what I needed to beef up my exercise routine and challenge myself to get fit—a challenge I readily accepted, being that I was getting nowhere doing it on my own. Even though I’m a personal trainer, I too have difficulty working myself out to my fullest potential. We all need a push now and then. As Jillian says, “We all need to have a WHY that makes any amount of hard work worth it.” A couple of weeks into the program and I’m six pounds lighter and feeling better already.

I encourage you to take a look at your life and ask yourself what’s holding you back from your highest good.

UNLOCKED SECRET: Discover your “WHY” and make a new commitment to doing everything within your power to take control of your health. NO EXCUSES!
What is the “WHY” in your life? That reason/goal/motivation that would make any amount of work worth the effort it took to be your best you.

The Buck Stops Here

Yay! It’s Friday again! Hope you’re having a good one! Casey here.

TrumanHarry Truman famously had a sign on his desk that read – “the buck stops here.” I’ve always loved that phrase.

It’s the ultimate mark of true leadership, taking responsibility for an action, even if you personally didn’t cause it. Like a good captain, you go down with the ship and are responsible for your subordinates behavior. Not an easy thing to do.

I’ve been in this position, not as U.S. president, but as a mother, a manager, even president of my sorority chapter in college. In my day job, I’ve sworn off having responsibility for others. Too much stress, too little reward. Obviously, as a mom, I can’t do that, but lucky for me, my sons are well-behaved.

However, I can’t totally abdicate my leadership role as an author because there’s only one captain at the helm of the good ship SS Writer - me.

Often times, when I attend my monthly RWA chapter meetings, I hear a common complaint – “I need more time to write.” Or “I need someone to motivate me to write.”

I’ve addressed adding more time, so this time I’m switching to motivation. And I’m not going to go easy on you. There’s a reason Suze calls me “the whip cracker.”

First rule, when it comes to motivation – you are in control of you. No one else.IMG_2073

To use myself as an example, if I’m sitting at my computer staring into space or web surfing or avoiding writing, the first person I chastise is me. Sound harsh? You bet!

But it’s also great news. That means you can take charge and do the work.

Casey’s Whip Cracking Tips:

1. Recognize that you are procrastinating and cut it out!

2. Determine why you’re procrastinating. Maybe you’re stuck at a certain point in the plot. My advice, either skip that spot and come back to it later or plow ahead and write something (and fix it later if you don’t like it). I can tell you this from personal (and recent experience), waiting for inspiration to strike isn’t going to work!

Knight

Don’t make me send this guy . . .

3. Enlist the aid of a friend. I know I just said, no one can make you do the work, but it can help to spend time with others. Even if to cheer you up!

4. Join a writing sprint – CTRWA has them all them time on our Facebook fan page!! All writers are welcome, not just chapter members.

5. Use the carrot and the stick approach. Try to reward yourself for meeting your goal (avoid using food, otherwise you’ll be stressed about your weight too). And, sorry, but if that doesn’t work, you have to suck it up and just do it (hear the whip snap?)

My final tip, realize that tomorrow is another day. Believe it or not, there are days (and sometimes weeks) where productive work won’t get done. That’s not an excuse to slack off, but do recognize that sometimes life throws curve balls.

Now, go forth and be productive! Or I’ll find you with my whip! *snap*

What are your favorite whip cracking techniques?And do they work for you?

Fear of failure or fear of success?

PJ Sharon, blogging from the Berkshires once again. I love these brief January warm ups that allow me to get out and snow shoe or cross country ski on one of the many trails behind my house. 0120011139After weeks of frigid cold temps, it felt good to be outside in the sunshine and breathing in some fresh air. It gave me time to contemplate my WIP, ponder my marketing strategies, and sing a few tunes to the wind. It also gave me an opportunity to take a moment to appreciate how far I’ve come and think about where I’m headed next.
A few hours of reflection led me to ask myself the hard questions: What is holding me back? Are there any obstacles I need to overcome to achieve my goals?

Then I remembered a lesson my sensei taught me many years ago. I had achieved the level of brown belt and he wanted me to compete in a regional tournament. When I refused, he shook his head, frustrated with my stubborn refusal. I tried to convince him that I couldn’t risk being injured, that I didn’t need to compete to know I was good enough, that I couldn’t afford it. I gave lots of excuses, and still he shook his head. Finally he asked me, “What are you afraid of?”

After a few days of honest analysis, I went to him after class. “Maybe I’m afraid of failure,” I admitted. He smiled. “I don’t think its failure you fear. I think you’re afraid of success.”

It took me a while to process this new perspective, but eventually I realized he was right. Competition at brown belt level for adults gets very tough, and it only gets tougher as you approach black belt. It requires a tremendous amount of dedication and focus to do well at that level. I was a married woman with a family and work responsibilities that were demanding. Taking on another huge commitment was not in my cards and I knew if I made the commitment to compete, I’d have to give it my all—which would have been more than I had to give. I decided that it wasn’t the direction I wanted to go with my martial arts. In that case, my fear of success was the litmus test that helped me decide my direction–a decision ultimately based on choice and not fear.

That lesson has been with me many times over the years since. Whenever I feel myself holding back or not embracing my highest good, I ask those hard questions and wonder if my fear of success is what’s keeping me from moving forward or if the path before me is perhaps the wrong direction.

To this day, I continue to wonder whether the writer’s life is truly for me, but I’m not ready to give up all that I’ve accomplished and I’m not about to let my fear of success—or failure—stop me from becoming all that I can be. I know I can’t be alone in feeling this way as a writer. I think fear is one of the biggest stumbling blocks people deal with. If you’re not sure how to tell the difference, fear of failure is that doubt monster that says “you’re no good,” “no one will read your books,” or “you really suck at this writing thing.” While fear of success looks something like this:

If I finish a manuscript, then I have to submit it (that means queries, synopses, and rejections). I would bet there are as many writers who fear acceptance from an agent or editor as there are those who don’t submit for fear of the dreaded rejection letters. Any agent will tell you that they only receive a relative few of the submissions they request at conferences.

If I become published, I will have to sell my books, have a social network presence, learn marketing, file taxes, etc., etc. Whether you are traditionally or independently published, you will take on these responsibilities and more. Not everyone is prepared for the business side of writing. In fact, most writers are not. Being a published author is a career—a very challenging and complex career that requires a tremendous amount of time, commitment, and hard work. As the scripture says, “To one who is given much, much is expected.”

As you look at your goals for the coming year—as you contemplate how far you’ve come and ponder the path ahead, ask yourself this question: Is your fear of success holding you back? What will happen if you succeed in achieving your goals? Are you really ready for it? If not, what do you need to do to prepare yourself to meet the challenges head on?

Motivational speaker and financial guru, Harv Ecker says, “People don’t have what they want because they don’t know what they want.” Be clear about what it is you want your life to look like. Enjoy the control you have over your career and the opportunity you have to grow into it at your own pace. Don’t let your fear of success–or failure–drive your decisions.

Unlocked secret:  If you love writing, but aren’t sure you’re ready for that next big step, don’t push forward just because others expect it of you, or you’re feeling the need to keep up with the crowd and prove yourself. Continue learning the craft, growing as a writer, and learn the business side of publishing to see if it’s the kind of career you really want, because it definitely isn’t just about writing good books. And if being a published author has always been your dream, don’t let anything stand in your way—not even your fear of success. This is your life—the life you are creating with every choice you make. Choose consciously.

What about you? Are your fears holding you back? Which is it…fear of failure, or fear of success?