I joined RWA and the CT Chapter in 2007 when I realized I needed to reach out to people who knew how to do this writing thing. I was immediately aided by published authors, budding newbies like myself, and everyone in between. I don’t think I’ve ever been involved in an organization where I’ve been so readily accepted and supported, and for that I am forever grateful.
Then I joined YARWA (Young Adult chapter of RWA) last year, and I felt like I had found my people. I couldn’t believe there were others who sat around thinking like a teenager and re-writing history.
Being a part of a writing community has afforded me the ability to share my work with critique partners and open forums where I’ve had tremendous help in learning every aspect of the craft. Although I’ve gone through four critique groups and probably six or eight critique partners, I’ve left each relationship on good terms and it is accepted that as our writing style changes and grows, our need for different perspectives comes naturally. I value each person I’ve worked with and hopefully they feel the same about me.
Another highlight of being involved in RWA is that I’ve been fortunate enough to be able to attend conferences and workshops with some of the most talented writers and best teachers around. The CT Chapter has outdone themselves by bringing in the likes of Michael Hague, Margie Lawson, and our upcoming guest, Laurie Schnebly Campbell. At each of the four Fiction Fests and National Conferences I’ve attended, I’ve had the opportunity to meet some amazing people, (including my favorite author, Diana Gabaldon). I even got to fondle, covet, and admire Kristan Higgins’ RITA statue and once shared a room with Jessica Andersen. I considered myself lucky on all counts. The best part of all of it, has been the friends I’ve made along the way.
Also, thanks to the RWA and its tireless volunteer members, I’ve had the privilege of entering numerous writing contests. The feedback and acknowledgement I’ve received has been inspiring, interesting, and enormously helpful. Contests serve many purposes, not the least of which is that it gets you in front of agents and editors and you can use feedback to judge your own readiness for publication. Contest finals and wins also look great on your writer’s resume. What I found over time and with persistence was that, as my writing evolved, my contest scores and placement improved. It was tangible evidence that I was gaining ground. The same can be said for the dreaded query process. As painful as it was, after thirty or forty rejections, you start noticing that comments get more personal, useful and encouraging. That’s when you know that publication is around the corner. As an indie-published author, I am ineligable for entering the RITA Awards, but I can still enter the Golden Heart. Odd but true, and so I’ve entered Heaven Is For Heroes. Wish me luck!
With the shifting sands of the publishing industry, my choice to independently publish my YA novels may seem either foolish or brave, depending on your perspective. Only time will tell if I am successful without the assistance of an agent and a publisher. But I can say without a doubt that I couldn’t do it without the assistance of the RWA, my CT Chapter, and my YARWA and WANA (We Are Not Alone) peeps. Without your support, none of it would be possible. Thanks everyone! I’m proud to be among you.
If you could meet your favorite author and ask them one question, who would it be and what would you ask?