Category Archives: conflict

Cliffhanger or happy ending?

PJ Sharon, here to hang with you on a rainy Tuesday morning. And speaking of hanging…I thought I would pose a question to you, my faithful readers, writers, and book connoisseurs.

When reading a trilogy, do you like the second book to end on a happy note, satisfying our endless appetite for romance, or do you prefer the cliffhanger ending that leaves you breathlessly awaiting the next book?

For me, a good cliffhanger gets me every time. Don’t get me wrong. I love romance and I live for the HEA endings that are a hallmark of all my favorite books. With a trilogy, however, I expect my HEA to make its appearance in the final installment. In books one and two, I want to be led on the merry chase. I want suspense! Will they get together, or won’t they? Will everyone survive, or will someone be killed off? I think there can be–and should be–a complete story arc in each book, but the over arcing theme of the trilogy requires phases that bring your characters one step closer to their happy ending–just not too soon. Each book in a trilogy needs its own goal, motivation, and conflict, and we expect some resolution to come at the end of each book, but how much resolution is enough to be satisfying, and how much should be left open for book three? These questions are for professional research, of course. I’ve rewritten the ending of WESTERN DESERT, book two in The Chronicles of Lily Carmichael, four times! I so want to get it just right before I release it on the 24th of this month and dive into book three.

How do you all feel about it?

Billionaire Brides–An Interview With Ana E Ross

Hello, loves! Suze here. I’ve got an extra yummy treat for you–no, no more cookies like last week!  But something just as good, and not at all fattening. The fabulous Ana E Ross is with us today, and I can’t wait to introduce you if you’re not familiar with her work. The second book in her Billionaire Brides of Granite Falls series, THE MOGUL’S RELUCTANT BRIDE, just released and it is selling like crazy. I’ve read book 1 (THE DOCTOR’S SECRET BRIDE), and I’ve got THE MOGUL queued up on my Nook to read over the upcoming long weekend. 

Final_1_small_ringsI hear there might be a giveaway, so be sure to leave a comment! Here’s what Ana has to say:

Tell us a little about yourself.

Well, I was born and raised on the Caribbean island of Nevis—which also happens to be the birthplace of Alexander Hamilton.  I come from a large family of ten boys and two girls, so you can just imagine how crowded and loud it was on a daily basis.  Anyway, an aunt—with whom I lived for some time started me reading at a very early age—3 years to be exact—and I used reading as a way of escape from my rowdy brothers.  I grew up on Nancy Drew, the Bobbsey Twins, Hans Christian Andersen, and many of the other children’s story authors. When I was a teenager, I fell in love with romances.

More recently:  After teaching English Literature and Writing for several years, I quit teaching in January to write full-time. I felt as if it was something I needed to do.  I cashed in my retirement and that’s what I’ve been living off of for the past few months.  I had to take a chance on me.  If it turns out that writing is not as financially rewarding as I hope, I’ll return to the classroom.  Time will tell.  But at least when I lie on my deathbed, I will be able to say that I took a chance on me, followed my dream, and die without regrets.

What was the first romance novel you ever read?

Wow, I wish my memory extended that far back, but unfortunately it doesn’t.  However, the first romances I read were Regencies and Mills & Boons, Harlequins, Silhouettes, and a vast number of historicals.

Did you sneak it out of your mother’s underwear drawer, like I did (SHANNA, by Kathleen Woodiwiss, for me)? 

This question made me chuckle, because I know my mother never read a romance in her entire life.  My parents were very religious and the only material they read were the Holy Bible and Christian related material.  Actually, I had to hide my romances from my mother; my aunt didn’t care though, which was a blessing since I spent a lot of time at her house.

ProfileHow long have you been writing?

I started writing in high school—short stories mostly, and then I transitioned into poems—many of them obviously on the theme of love.  I didn’t start writing romances until about twenty years ago. I’d just finished a romance and didn’t like the ending and thought I could write a story with a much happier ending.  And thus my writing career began with The Doctor’s Secret Bride.  The title has been changed several times over the years, but the premise of the story is the same.

Your newest release, THE MOGUL’S RELUCTANT BRIDE, is selling like hotcakes and has gone as high as number 245 on the Kindle paid list and is holding at number 1 on several sublists. As of today, it’s at number 341, and the first book in the series, THE DOCTOR’S SECRET BRIDE, is at number  924. Other than the fact that these are beautifully written, wonderfully hot reads, why do you think they are so popular?

I would like to think that those two titles are doing well because of the high level of sensuality and hot sex.  Seriously though, probably because of the themes of the stories—forgiveness, redemption, closure, healing, and definitely the strong bond of love and passion between the main characters.  Also, I love to torture my heroes, put them through the ringer—make them earn the heroines’ love.  The fact that they have to fight hard for their HEA make them more appealing it seems.  Readers have commented that they like the roller-coaster rides and that they feel the myriad of emotions the characters go through. They laugh, cry, scream, and cheer along with them.  So strong emotions must play an integral part in the success of the series.

How many books do you have planned for the Billionaire Brides of Granite Falls series?

There are four books in the series.  But since many readers have enquired about a story featuring Robert and Yasmine—Michelle’s brother and her best friend—I’m thinking of writing a spinoff of The Doctor’s Secret Bride where Robert goes off to investigate their father’s story.

Do you keep a series bible to keep the characters and the details straight?

Oh, yes, I definitely have to do that, especially since the characters make appearances in each other’s stories.  Granite Falls is a small town and they are bound to run into each other.  Also because of the bond of brotherhood between the heroes, I have to keep their physical and emotional characteristics straight.

What form is that in? (electronic, 3-ring notebook, index card box?) 

I keep electronic bibles with timelines, first meetings, birthdays, marriages, dates of conception, births, etc.  The four books take place over a four-year period, so I have to pay attention to the details, or my readers will call me out on inconsistencies.  I also created a map—both electronically and poster-size—of the town of Granite Falls with specific landmarks, streets, etc., and since the heroes are billionaires, I make plans of their homes as well.  I keep the poster-size plans and maps on the wall over my desk and I consult them while writing.  They keep me focused and help me to bring my characters to life.  I can really see them interacting with each other.

What type of marketing and publicity have you done/are you doing for your books?

Other than enrolling Book One into Amazon’s Select program, I didn’t do any marketing or publicity when it was first released.  I was just blessed I guess, and I didn’t worry about it so much since I had a full-time job.  However because I had a lot to lose with Book Two, (my retirement was running out), I had to get a marketing plan in place.  I advertised on numerous promotion sites, some free, some paid.  In addition, I re-enrolled Book One into Amazon’s Select program and used my free days before, during, and after the release day of Book Two.  During 3 free days, I had 27k downloads of Book One, and it’s still selling well.  The freebies definitely helped with the blowout sale of Book Two.  I hope that most of the 27K downloads for the first book will generate into sales for the second.  Again, only time will tell.

Why did you decide to indie publish?  

After umpteen years of trying to sell these two titles the traditional way with the big six—well big five now, I finally decided that enough was enough.  I had to make my own dream come true.  I was inspired by Ruthie Cordello’s success as an indie publisher.  Ruth and I met in 2010 at another romance author’s summer garden party and we were in the same boat with trying to sell to Harlequin.  She went indie the next year and made the NY Times Bestseller List in months.  We wrote similar books, so I thought I’d try my own hand at indie publishing, as well.  I’m so happy for all those wonderful rejections from New York.

final-the-doctors-secret-bride-600x800-copy[1]Other than the actual writing, what parts of the process do you do yourself, and what parts do you hire out?

I hire out the cover design, editing, and formatting portions.  But I just enlisted the help of my twenty-three-year-old daughter who just graduated from college and moved back home to help with finding free promotion sites and handling my newsletters.  She did a great newsletter to announce the launch of Book Two, so we entered a kind of quid pro quo—as long as she continues to help, I make her car payments until she finds a job.

How long does it take you to finish a book? 

It depends.  I’ve written a book in three months, but I think if I want a book to be great, I need about five to six months to fully develop the characters and strong emotions that a lot of readers say they love in my stories.

Do you reward yourself when you type “The End” or put a book up for sale?  Yes.  I take myself, and my daughter out to a nice dinner.  I do indulge with a nice bottle of wine and some chocolate, too.

What are you working on now?  When can we expect it?

I’m working on The Playboy’s Fugitive Bride  – Book Three in the series. I hope to have it on the selves in September 2013.

What’s your junk food of choice?

I love strawberry cheesecake and buffalo chicken wings.

Any pets?

No pets at the moment.  I used to have a cat, but she died of old age a few years ago.  I plan to get another in the future.  I love cats and watch “The Big Cat Dairies” over and over again.  Actually, Massimo, the hero in Book Three owns a big cat named Jabari.

You can connect with Ana here:

www.anaeross.com

https://www.facebook.com/pages/Ana-E-Ross/221431434575148?fref=ts

https://twitter.com/anaeross: @anaeross

Here’s Ana’s Amazon page where you can buy her books: http://www.amazon.com/Ana-E-Ross/e/B006UNSSD2/ref=sr_tc_2_0?qid=1369273073&sr=1-2-ent

Who’s got questions for Ana? She’s giving away copies of her book to 3 randomly chosen commenters, so don’t be shy!

Rest in Peace, Duchess

Hi, Scribettes and Scribes. Suze here.

Jeanne Cooper 1928-2013
Jeanne Cooper 1928-2013

I was going to talk about my recent trip to St. Louis today, but yesterday’s news made me think about something else. Jeanne Cooper, the matriarch of my favorite soap opera, The Young and the Restless, has died. I don’t know if the part will be recast. On one hand, no one can replace her. Jeanne Cooper was Katherine Chancellor (on screen, anyway), and I for one would have trouble accepting anyone else in the role. On the other hand, the longest-running storyline is the feud between Kay Chancellor (her son Brock always called her Duchess) and the wonderful, scheming Jill Foster Abbot, and that’s always been the pivot point on which the whole show turns. Without Kay, we’re going to feel lost for a while until we get our bearings and see which new direction the show will take.

As writers, we can learn so much about plot and character from the soaps. One of the brilliant things the writers of Y&R did in the beginning was to give Kay some pretty big and scary demons. Her husband was in love with a much younger woman (the aforesaid Jill); Kay became alcoholic; she killed her husband in a deliberate car wreck where she intended to kill herself too, but instead survived. This formed the basis of the conflict between Kay and Jill, and although there have been times when they’ve reconciled (at one point, it looked like Jill was Kay’s daughter given up for adoption. This was later proven false), that underlying hatred of each other was always there. And when things got bad for Kay, the writers could always make it worse and send her back to the bottle so she’d have yet another internal/external struggle.

We hear so much about GMC–Goal, Motivation, Conflict. Well the Kay Chancellor storyline (click here for the Wiki article, if you want to read a synopsis) illustrates that beautifully. And as for plots, of course they’re outrageous. That’s why we love the soaps! But notice how every single episode ends on a hook, and there’s a bigger hook on Friday’s show to bring the viewer back on Monday. While your plots might not take the crazy twists and turns of a soap story, every chapter should end on a hook, big or small. Every book should end making the reader satisfied but wanting more (your next book). And if you ever need inspiration on how to throw rocks at your characters (remember the classic advice: Run your character up a tree. Throw rocks at her. Get her back down.), nobody throws rocks like the writers of soaps. Abducted by aliens? Secret babies? A long lost twin back in town and bent on revenge? Why not?!

So tell me. Do you love the soaps? What’s your favorite show (whether or not it’s still running)? What character keeps/kept you coming back for more and why?

But wait …!

This is the TVholic’s strategy for sagging middles

Hi everyone. Thea here today, but really, as you read this, I’ll be in KC at the RT Booklovers’ Convention and not in my usual position, rooted at the end of the couch, with tv on and WIP at the ready. So forgive me if I’m not posting an immediate response. (Full report on the conference to come, of course.)

So I want to talk about sagging middles — the kind you delete with a key stroke (oh, if only — ). I’ve said during workshops that “what if” is your single most powerful writing tool. Anything can happen in “what if.” It’s no-commitment plotting. It frees your mind. You can let go, make lists, let them take you to the most improbable plot places.

But wait …! It would be even more productive if at the moment when the plot seems to be chugging along, you stop yourself with those words. But wait …! The juicy incentive used by telemarketers to make you buy (can you tell I watch too much tv?). But wait — maybe your reader isn’t buying a smooth, unfurrowed plotline. Maybe your reader is waiting for something juicy to happen.

But wait …! What if your characters are afraid of losing something? (Love, fame, fortune, respect, family secrets, inheritance, friendship …) Make them lose it. Ask what lengths they’ll go to to get it back. What they’re willing to risk.

Because the more they risk, the more that stands in their way, the more conflict, the greater desire they’ll have (at greater cost) to reach their goal, and so, the richer the plot.

In the simplest terms: Get them in trouble and keep them in trouble. Keep throwing in obstacles, complications, repercussions and don’t let up.

But wait …! What if you don’t know exactly where the plot is going?

Write the NYTimes log-line. That hones it down nicely to two or three lines: Danny Jones has everything he wants, until a secret from his past threatens everything.

Or write the cover copy. That will focus you on the set-up, conflict, and what drives the plot.

But wait …! What if it’s still not working?

Make the problem personal and current. Someone is out to destroy Danny Jones and make sure he never is elected to anything.

Give the protagonist two villains and a moral choice. A childhood friend and his own brother are separately threatening Danny Jones. No matter what decision he makes, he will lose everything, including his friend and his brother.

Up the ante. Not only does a secret from his past
threaten Danny Jones personally, but also his burgeoning political career, his marriage, and his inheritance from a famous relative which comes along with a list of moral stipulations he may not be able to meet.

Add suspense by turning “what if” into “if only.” What could his enemy have against him? If only, all those years ago, he hadn’t — but then there was this other moment when — But nobody knew about that, did they?

Give your protagonist a moral dilemma that forces her to compromise either her beliefs or her values. If Danny Jones is up front about his past, then he will never ever be able to run for office, he’ll lose the love of his life, the inheritance from his famous relative, and he’ll never be able to see his children again.

Try reversing things. Make the hero the heroine and vice versa. Danny is Danielle, a powerful CEO who is courting politics and who has a secret she thought was buried deep in the past. Lovers? Liars? Friends? Family? Who is plotting to betray her?

Keep the reader guessing. For Danielle any of those people associated with her could be her enemy; any one of them can say or do something that would lead her to believe she is on the verge of losing everything. She has too much at stake. She has to be careful not to rock the boat. What is she going to do? (I love this; I think it works even better!)

But wait …!

But I can’t. I have to go. But you can. What juicy incentives would you add to the list to entice your readers to keep reading?

Thea Devine is currently working on a new erotic contemporary romance, and enjoying the release of five of her backlist titles, Reckless Desire, Ecstasy’s Hostage, Relentless Passion, Montana Mistress and Angel Eyes in Kindle editions.

The Greatest Love Story (And Why I Write Romance) by Katy Lee

Happy Easter! Katy Lee here, hoping you are all having a blessed Resurrection Sunday with your loved ones…and speaking of love, let me just say it is my favorite topic to talk about. So it shouldn’t come as a big surprise that I write romance. I write it, I read it, and I love to hear about it. Hearing how a couple met always intrigues me. I love weddings and seeing two people make a lifetime vow of devotion to each other, and I love witnessing the victorious connection of an old married couple as they walk hand-in-hand. I say victorious because I’m not so naïve that I don’t know they fought battles to get to where they are. Battles that tried to tear them apart. Battles their love overcame.

Just imagining those conflicts is making my fingers itch to write about them now. To turn them into words on a page, characters that the world can see, and maybe even fall a little in love with as well.

Many people say romances have no value in the world of literature, but I say they’re wrong. I think seeing examples of what love looks like shows us how to demonstrate it. I think witnessing a person, real or not, offer a selfless act of kindness empowers us to do the same. I think watching two people overcome odds that should tear them apart inspires those facing their own battles to persevere. I think romances remind us that love exists and it starts with us.

Or does it?

1 John 4:19 says we love because God loved us first. He loved us before we were even created. He loves us regardless of anything we have done, and will still love us regardless of anything we do. His love is unconditional and was offered long before we knew how to love.

But like a good romance, there was a conflict. Our sinful natures kept us from being with Him. We couldn’t be together as He had wanted. But, also like the perfect hero, that didn’t stop Him, and He set out to fight the battle for our hearts, even if that meant His death.

In John 15:13, Jesus tells us that there is no greater love than to lay down one’s life for his friends. He told us what love looks like. And then he proceeded to do just that. He fought the battle for us and on the third day, He reigned victorious.

But unlike a novel, our story doesn’t end there. We get a happily-ever-after that will last for an eternity because of His victory. Jesus is truly the hero of my heart and my inspiration in writing the perfect romance.

The Unlocked Secret: I think we read, and in my case write, romances because we were created with a desire to be loved, and we want to see love demonstrated over and over again in all different ways. But Jesus said something else. He said to love one another as I have loved you. In a good romance, we see two people who don’t just receive love. They also learn to give it just as He says. So, I say, go ahead, read those romances, and be reminded of what love looks like. And then, go forth and express it to the loved ones, and not-so-loved ones, around you.

And remember who it all started with.

Happy Easter!

(This has been a re-post from last year, but it means just as much to me as it did then!)